Today we’re joined by Lizzy, who also goes by Demonartis. Lizzy is a phenomenal visual artist who enjoys a lot of traditional mediums. She has done a lot of drawing and painting, but also engraving, calligraphy, and sculpting. Recently, Lizzy has started dabbling in digital art and enjoys it a lot. It’s very clear she’s incredibly passionate about art, which makes for a great read. My thanks to her for taking the time to participate in this interview.
Please, tell us about your art.
Well my work consists mostly of traditional mediums of visual art, from drawing and painting to engraving, calligraphy and sculpting, I’ve done a bit of everything. And work in every one of them pretty much in equal proportion. (Which is to say not nearly enough, lol.) Recently I have been dabbling in digital art and have taken quite a liking to it. I just really love doing stuff with my hands and I feel it’s a great way to put what’s in my mind out in the open, not only so other people can see it, but also because it helps me understand my own way of seeing things and reminds me that I am here and have a valid perspective on things.
What inspires you?
I’m inspired by emotions, both mine and those of other people, the intense dark or strange feelings that you can’t very well explain, the slightly creepy lovely things that are all around our world and the worlds of books and stories that I read and of course the shows that I watch, fan art is important. I’m also really inspired by other artist that are around me, my friends in art school are a really great bunch of people and I think new artists are a great source of inspiration.
What got you interested in your field? Have you always wanted to be an artist?
From as far back as I remember I have been drawing and have always loved art of every type but I couldn’t pick. I took singing lessons, and guitar lessons, and dance lessons; I tried a lot of things before finally settling on visual art. But I think that yes, in the bottom of my heart I’ve always wanted to be an artist.
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?
I always sign my work with my real name, whether in a corner or hidden in the drawing somewhere. Nothing else that I have noticed.
What advice would you give young aspiring artists?
Whatever type of art you do, do it with feeling, put a bit of you in it. As long as you love what you do, it’s absolutely worth the while. Try everything and don’t worry about having to work with one medium forever, or having to do one type of art forever, mix and match just, free yourself in art because there are no rules there. If there are things you can’t do, work within your limits don’t strain too much, but don’t give up, you have so much to offer to the world and to yourselves!
Where on the spectrum do you identify?
I identify as Quoiromantic Asexual.
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
I’ve found a lot of ignorance related to asexuality, it’s virtually unknown to everyone I’ve talked to, but people in my field seem to be very open to the idea of being educated in such matters and I try my best to give them information as long as they want it.
What’s the most common misconception about asexuality that you’ve encountered?
That it’s not real and we just “haven’t found the right person” seems to be the most common here, also that we’re all just “late bloomers”.
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
It’s perfectly fine to be confused about your aceness, or to be confused on your romantic orientation, don’t push yourself into anything you don’t want and feel free to explore and change you labels, learning about yourselves take a lot of time and a bunch of trial and error, so its fine if you don’t get it all right the first time.
Finally, where can people find out more about your work?
Thank you, Lizzy, for participating in this interview and this project. It’s very much appreciated.