Interview: Clara Quinion

Today we’re joined by Clara. Clara is a phenomenal science fiction writer who is quite prolific. To date, she has written three novels, a number of short stories, and some poetry as well. It is quite apparent that she has an incredibly bright future ahead of her. My thanks to her for taking the time to participate in this interview.


Please, tell us about your art.

I write science fiction. Also bits of art, photography, and craft.

What inspires you?

Everything. I’m a highly sensitive introvert with synesthesia. I take in more sensory impressions than most people, spend a long time mulling them over, making connections, and come out with some interesting thought-experiments.

What got you interested in your field?  Have you always wanted to be an artist?

I used to draw all the time when I was a kid. During my teens I got more into photography, and thought that would be my career. That didn’t work out. I got into writing by serendipity: having failed to get into any arts courses at university, I applied for a bunch of other creative courses through clearing, and got into an English with Creative Writing degree.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I write in a multiverse called The Sustained World: all worlds capable of sustaining intelligent life lined up, separated by the Void, yet transversible. The denizens of The Sustained World are called Eltoids, which is a wider definition than humanoid, and means creatures capable of intelligence, communication, and manual dexterity, the symbol of which is a three-noded triangle. I’m also working a lot with black crow imagery: in The Sustained World, the Reapers who take the spirits of the deceased to the Void take the shape of crows.

What advice would you give young aspiring artists?

Do your own thing. Not what’s popular. Not what you think will sell. Not what everyone else is doing. Your own thing. You don’t have to be the best at your medium. Being authentic is much more important.


Where on the spectrum do you identify?

Asexual and biromantic/panromantic. And queer, as far as I think that gender roles are arbitrary rubbish.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Nothing comes to mind. In the past I haven’t actually spoken much about not wanting to have sex. Just kept quiet and nodded along when people bring such things up. I have a pretty filthy sense of humour and I don’t mind talking about sex at all, but I always get uncomfortable if I see sexual imagery.

What’s the most common misconception about asexuality that you’ve encountered?

Not directly, but I feel that it’s been indicated to me that being sexually active is like a further step in developing towards adulthood. Probably by the same sort of people who think getting drunk is a sign of maturity. Knowing yourself and what you like and don’t like is a great step in your development.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

There is nothing wrong with you. Sex is not a fundamental need like eating and sleeping. It’s more like an interest. I have no interest in sex just as I have no interest in sports. We are all different, and that’s what makes us beautiful. Do your thing, and don’t let anyone tell you that you’re wrong because you don’t like what they like.

Finally, where can people find out more about your work? and

Thank you, Clara, for participating in this interview and this project. It’s very much appreciated.

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