Interview: Edy

Today we’re joined by Edy, who also goes by omegalovaniac. Edy is a phenomenal versatile artist who is mostly a writer. She writes fanfiction as well as original work. Her original work tends to be terror and supernatural. Edy is also a first for Asexual Artists: she hosts her own low-fi community radio program. It’s obvious she’s an artist with a great amount of passion. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m a writer before anything else; I really enjoy fanfiction and have for years, even if the wide majority of my older work is no longer accessible. I hope to have a few more fandoms published for in the coming year. The original work I’m pushing for publication is along the lines of uncanny terror and the supernatural, and the original work that won’t be meant for mainstream release is stuff I’ve been working on for over a decade now. Most of the artwork I put out is for fandom or the non-pub fiction. I also do cosplay, and I host a weekly lo-fi community radio show every weekend.

What inspires you?

My current font of inspiration is Disney’s Wander Over Yonder, but I have irons in so many fandoms that it’s a bit overwhelming on any given day, to say the least! There is so much inspiration in shows and films I enjoy, and comics and books I read. There’s a lot in the people I’ve met and places I’ve gone and things I’ve done. There’s a lot in the songs and poetry I hear. I find it’s important to be open and take in as much as I can, as there are a lot of stories to be found, everywhere and in everything.

What got you interested in your field?  Have you always wanted to be an artist?

I can’t remember a time before wanting to write. From scribbling comics and characters to lugging an old typewriter around the house to keeping a notebook with me wherever I go, that’s me and a lot of people close to me know that. Telling stories is something I enjoy almost as much as hearing good stories. As for the radio, I have a clear memory of dragging one of those “My First Sony” radios around and pretending to broadcast radio dramas of sorts – stories I would make up on the spot or retellings of my favorite Looney Tunes cartoons (Hair-Raising Hare comes to mind). Art has always been a part of that, too, in illustrating what I’d write or want to write, and then moving onward to fandoms and friends’ original characters. The costuming is nothing new, either. If I could have been Babs Bunny every day that one year instead of Halloween, I tell you what. If I could be Lord Dominator every day instead of trying to find work-place appropriate costumes for Halloween this year, well, I’ll tell you what again.

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Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I am a huge sucker for callbacks, references, and homages. HUGE. So of course, I use them too. I had someone tell me once that it pulled them out of their immersion in the fictional world of their choosing when they’d catch one, but adversely, I feel even closer to the characters, they are more relatable. They make the same jokes I would and they enjoy the same things I do. I love it. I recognize it’s not for everyone, at least where the pop culture aspect might be concerned, but I feel like utilizing them carefully in one’s own story as a closed loop, that’s a good, solid move. The ideal goal is to become part of that myself, one day. Someone references a quote of mine or a thing I’ve done, in something they’ve done.

I also really enjoy subverting tropes like no one else’s business, twisting them and seeing how far I can break them or how much better I can make them. Tropes can be good and useful. They can also be terrible. But even if they’re terrible they can still be some fun…

Where the radio show is concerned I’ve reached for a staple tool I’ve used in my writing in the same way that I might use TVTropes: Brian Eno and Peter Schmidt’s Oblique Strategies. Every week I pull a card from my tattered, DIY deck and craft an hour-long segment around it. It’s a big challenge and I look at selecting songs for it in the same way I might pick pieces for a collage. It’s gotta be comprehensive, but at the same time very lateral in composition, and overall, enjoyable and entertaining. From songs with different time signatures for “Distorting Time” to exploring musical themes of Philosophy in the current show I’m putting together for “Disconnect from Desire”, this segment I call Obliquities is my signature, cornerstone segment.

What advice would you give young aspiring artists?

A few things. Don’t listen to Stephen Moffat. Don’t be afraid to do things, even if someone already has – you might do it more differently than you think. Remember to take breaks often and play with your pets if you have them, drink some water, have a snack, and then get back to it. Try not to be too hard on yourself if you find you’re in a mental block moment! Your brain needs some serious rest too, sometimes. Be serious and be honest about your collaborations, both towards your partner, your input, and the output. Learn. Listen. Keep at it.

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ASEXUALITY

Where on the spectrum do you identify?

I’ve finally settled on Asexual. Just that. I’ve not yet decided where my romantic leanings lie (as I can at least say aromanticism isn’t where I’m at) and I waffle on those so much that I just say forget it, more often than not. It took me a long enough time to find the word “asexual” and what it means in relation to me and my life that I also spent sometime shuffling through the other forms of it and doing some thinking as I went along, for good measure. I’m happy sitting here for the moment.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Oh, yes. In earlier fandom fun I wrote some explicit things, did some adult art for friends, but as I realized I wasn’t super comfortable writing them, or writing them well, even, I started to taper off of doing that. And my audience started to taper off, too, very visibly. That is what it is. No matter how much someone who is selling you sex would have you believe, though, sex doesn’t always sell. Great and amazing stories can and do exist without it just as much as they do with. So I persist.

What’s the most common misconception about asexuality that you’ve encountered?

That it’s unnatural. I heard this from the Chair of my local Pride organization when I had started to volunteer for it, and I became sort of a token joke at meetings and sponsored canoodling events, as if I couldn’t possibly have an opinion on matters pertaining to sex or sexual relationships. They are not a good person in general and there’s been a lot of education happening from me and others. Including one of my favorite performers that we had worked with, with the organization. Being told “girl, what are you even doing here” by him was a bit jarring, but he has since apologized, and is working to better his personal understanding, and that of his drag scene, of the diversity in the queer community. I’m proud that the open discussion about that has had an effect. It was hard finding the words for it. Even as a writer I was at a loss for so long, and so angry about it until I was able to fix that, even if just for myself at first before others.

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What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It’s okay! I’m still struggling. There are days when I want to love everyone and days where I want to love no one. Days when I want to be touched and days where I feel I might implode if I were to be touched, even non-sexually. Days where I know, and days where I don’t know. That’s just the way of it, sometimes, and it’s perfectly fine. It’s all part of getting to know yourself. And if you feel comfortable being as fluid and as wonderfully elusive as a Water Weenie, that’s just great too. There is nothing wrong with that, and nothing wrong with you. Don’t let that weird connotation of being “broken” somehow keep you from seeking yourself. It’s not true.

Finally, where can people find out more about your work?

My fanfiction can be found on AO3 here: http://archiveofourown.org/users/3amepiphany.When I say it’s a wall of single fandom pieces, I mean it. I hope to have more things up soon enough, but come Wander Over Yonder with me there for a bit in the meantime, yeah?

The stuff I’m not tossing at the mainstream publication demons, and the ephemera around it and the arduous labor of love that is what I call writing (and not just dragging my face aimlessly across the keyboard) can be found here: http://billetdouxnondistribue.tumblr.com. If furry works aren’t your bag, I apologize. That’s … what … that’s what it is. Also, some of the fic I write that doesn’t end up on AO3 as well as the art I do and have had done for me winds up there.

As for the radio show, I can be heard streaming online worldwide here: http://radiosunnyside.org every Saturday night from 5pm-8pm PST. My show is called Written on the Studio Wall and I am DJ Hot Donna. Thanks for tuning in!

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Thank you, Edy, for participating in this interview and this project. It’s very much appreciated.

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