Interview: Sophie A Katz

Today we’re joined by Sophie A. Katz. Sophie is a phenomenal and versatile writer. She writes in a number of different forms and styles. She’s a fellow writer who enjoys writing hopeful stories (we need more of them! 🙂 ). It’s clear she’s a dedicated and passionate artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

Sophie Katz headshot


Please, tell us about your art.

It’s all about stories for me – I LOVE stories, and storytelling. So far, my best skill to bring stories to life has been writing. I’ll write in pretty much any form; different stories need different mediums, after all. Some stories are short, some are novels. Some are screenplays or stage plays. I dabble in poetry. I have a few stories that sit in my head and insist upon being graphic novels – I’ll have to find someone who’s better with visual art to collaborate with for those.

What inspires you?

Life inspires me. That’s a vague answer. I have a “story ideas” tag on my Tumblr with hundreds of pictures and prompts in it, and I didn’t think that that was out of the ordinary until someone said to me, “Wow, you get story ideas from EVERYTHING!” But everything DOES have a story to it. You know that word “sonder”? About realizing that every other person in the world is living a life just as complex and interesting as your own? I can’t help but see that in everyone and everything around me. I don’t see things as just the way they are – I want to know why, and what might happen next. And that’s what a story is, at its base: why are things the way they are, and what could happen next?

What got you interested in your field?  Have you always wanted to be an artist?

There was this dollhouse in my parents’ house – I think it’s still in the basement – and incidentally we didn’t call it a “dollhouse” because Mom did NOT want her daughters playing with dolls; we called it a “people house,” like that Dr. Seuss book. I’d sit at the People House with all of our toys, all the animals and action figures and Disney characters, and narrate their adventures, for hours and hours. It was just what I did. Before I could write or read, I told the stories of my toys. And then one day, Dad took notes on the story I was telling, and typed it up for me. That’s where it really started. After that, I learned to read and write, and started writing little books, and Mom became my editor. But it took me until junior high to really start identifying as a writer. Before that, I honestly thought I was going to be an actress, even though I wasn’t very good at it, and didn’t really enjoy it. I think because the storytelling thing was just something I’d always done, I didn’t recognize it as special, or even as “art” at all – but it was always there, and eventually I recognized it as such, and now it’s what I want to do with the rest of my life.

Things REALLY took off once I realized that Disney World had a writing internship…but if I start talking about THAT, then we’ll be here all day.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

That’s a really interesting question. When my big sister was looking at colleges, I started picking up literary journals from the schools we visited, and I started noticing a troubling pattern in the works published there: they were overwhelmingly sad. I concluded then that sadness must be the easiest emotion to evoke in a story, and the true challenge was to create something that made people happy.

Bad things do happen in the stories I write, but they very rarely end that way. Books and movies that end in hopelessness bother me. By all means, kill your darlings and send me to bed crying, but give me a reason to get up in the morning! This is a very roundabout way of answering that a feature I include in my work is hope. My stories are most often about people looking at the world and seeing not only the bad that is, but the good that could be, and working to make that good come to be. I think a lot of people perceive hope and optimism as naïve, and sadness and despair as true art. It’s fine to have that opinion, but I don’t subscribe to it. I see art in joy, and in the challenge of creating joy, and in taking on that challenge. I see art in hope.

What advice would you give young aspiring artists?

You are not completely unique, and that is a good thing. It’s a good thing because it means that you have something to offer that will resonate with other people. You are not so different from the rest of the world that nobody will ever understand; rather, you have something to create that other people need. Create what is true to you, what is so true to you that it feels like no one else in the world may have ever felt the way that you feel about it. Create it and share it with the world. And someday, someone will walk up to you, and nervously shake your hand, and say, “That’s exactly how I feel. Thank you for turning it into art.”

Also, I highly recommend learning the skill of biting your tongue and saying “thank you, I’ll consider it” to critique. It’s not an easy skill to develop. Feedback is key to growth, and while you don’t have to TAKE all the feedback anyone ever gives you (you won’t take most of it, and that’s the way it should be!), it’s good to hear feedback. Feedback is how you learn what people are getting out of your art, whether your art is doing what you want it to do to the people you want it to do stuff to. I hope that sentence makes sense. I’d appreciate feedback on that sentence.


Where on the spectrum do you identify?

Demisexual, usually. Recently I’ve been feeling a bit more solidly ace; my body on occasion will send me a surprise bout of “nonononono” even when I’m with someone I am very much emotionally connected to.

I don’t even know what’s up with my romantic orientation. It’s like it plays “duck duck goose,” where it’ll go “duck duck duck…” over everyone around me for ages and then suddenly “GOOSE! YOU HAVE A CRUSH!!!”

I like things to make sense, so it’s all a bit frustrating for me, but I’m training myself to make peace with the uncertainty. Having words like “demisexual” and “asexual” and “sex-positive” and “sex-repulsed” to throw around helps some. I like having words for things.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Nothing’s been explicitly directed towards me, but romance is such a prevalent part of the stories we tell that I can’t help but be nervous. I’m nervous that I won’t be able to write a love story that someone will want to read, because I can’t know what it’s like to be the allosexual people that mainstream romances are about. I’m nervous that putting ace people in my stories, or being frank about demisexuality, will bring more trouble down on me than good. But this is my life, this is my truth, and these are the stories that I wish, oh god do I wish, that I had had when I thought that I was broken. How could I not write that? But I’m nervous, so how CAN I write that?

Fortunately, I found an incredibly supportive feminist arts community at my university, and I felt safe enough there to read a piece about figuring out my sexuality at an open mic. After the show, an audience member came up to me and thanked me, because what I had read was exactly how it was for them figuring out their sexuality. That’s when it hit me that however nervous I was, I couldn’t let that get in the way of creating my art. People need to know that they’re not alone. And coming up against ninety-nine readers who think I’m some faker special snowflake is worth it if I can get to the hundredth reader who needs to hear that they’re not alone.

What’s the most common misconception about asexuality that you’ve encountered?

That it doesn’t exist.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

…Honestly, I wish someone had advice to give ME, because I struggle with it plenty. What I do know to remind myself of as much as I can is this: your sexuality does NOT make you a burden, and anyone who makes you feel like it is can walk the plank.

Finally, where can people find out more about your work?

I have an electronic portfolio at, and I’ve just begun a writing Tumblr in an attempt to self-promote – you can find that at Go ahead and send me a message there if you want to chat about anything! Or you could contact me at; that’s the blog where I use the “story ideas” tag. You can also find my Odyssey articles every week at

Thank you, Sophie, for participating in this interview and this project. It’s very much appreciated.

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