Interview: Kaylee Schuler

Today we’re joined by Kaylee Schuler. Kaylee is a phenomenal author and visual artist. She writes a number of different things, including short stories and poetry. She’s currently working on a novel with an aro-ace protagonist. When she’s not writing, Kaylee enjoys drawing. She frequently draws characters from her stories. It’s clear she’s a passionate artist who loves to create, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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Please, tell us about your art.

I am an author and an artist. I usually write short stories, but I’ve dabbled in poetry, spoken word, and am currently working on a novel that happens to feature an aro-ace protagonist. I’ve self-published a children’s book and plan to self-publish its companion once my edits are done. One of my short stories just won 10th place in a Reader’s Digest competition, so I’m very excited about that!

What I value most in writing is emotion, so I try to write things that make people feel. I try to tell stories that I think are important, that I know no one else can tell. I strive to write pieces that are powerful, influential, and cathartic. Even though it’s a lofty goal, I want to write something that will change the world.

As for art, I started out with sketches and drawings, but I currently work with a variety of mediums, some of my favorites being watercolor and digital. Good old graphite never fails me, though.

I create art about pretty much anything — I draw a lot of people, often characters within the stories that I write. Drawing for me is somewhere between a hobby and a potential career. I’m currently studying it in college, but I still draw mainly for myself and create things that I want to create.

What inspires you?

I get inspiration for my work in everything I experience. The villain in my novel is based on a character who showed up in just one episode of a TV show from the ‘90s that I used to watch reruns of. Another character is named after a friend who was super supportive of my writing. I write the books I want to read, so I often take inspiration from a lack of content. I don’t see enough diversity in the media I consume, so I want to add that to my work. My visual artwork is often inspired by my writing or other people’s work that I enjoy. The main thing that inspires me is the hope that someone out there will encounter my work and be inspired to create something of their own. Art is such an incredible force for change, and my desire to be a part of that drives me to create.

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What got you interested in your field?  Have you always wanted to be an artist?

I’ve been writing for my entire life. It’s something that comes naturally to me, but even beyond that, I feel like a part of me is missing if I’m not writing something. It’s a huge part of who I am. I started writing my self-published book when I was 8 years old and haven’t stopped since.

I’ve also been creating visual art as far back as I can remember. Just like my writing, my artwork feels like an extension of my very being. Because art, be it written, visual, or otherwise, can be a catalyst for social change, and because I’ve always wanted to use my talents to better the world, I figure that the best way for me to make an impact is to combine those two things. My desire to improve this world and my desire to create go hand in hand.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I’m one of those artists who’s never been able to pin down a style. I suppose that’s a blessing because it gives me greater freedom and versatility in the content I create, but it’s also a curse because most of my pieces aren’t recognizable as belonging to the same artist. One thing I aim to do is include as much diversity in my work as I can. I think everyone deserves to see someone in media who they can relate to. I’m still learning how to improve my art and my representation, but I feel like making an effort to be inclusive and diverse is crucial to being a good artist and a good person.

What advice would you give young aspiring artists?

Art is something so incredibly personal to each individual. My advice is, first, to not be afraid to pour your soul into your work, and only share it when it’s ready. Share it first with people you trust. This especially applies to writing, though also to visual art you’ve worked particularly hard on. Find people who will build you up, not tear you down. And a note on criticism—at the end of the day, this is your work. Create for you. When people tell you what to do with your craft, that’s what they want. I’m not saying to never listen to criticism. Feedback can be very useful and it will help you grow as an artist. But make sure you put what you want first and remember that, at the end of the day, what you do with your work is up to you. And try to remember that critiques are about the work itself, not the part of you that you put into it. On a different note, something I want to stress is that artists have to support each other! We all face challenges in art and in life and I believe that we can never spread too much compassion and positivity. And finally, never give up on your dreams. One of my creative writing professors once shared something with us that his friend told him—the reason successful artists become successful is that they’re the ones who don’t give up. If you want to create, create. Keep at it, you’ve got this!

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Mental Illness


Where on the spectrum do you identify?

I’m aromantic and asexual. I always knew there was something different about me, and finding labels for my feelings was an incredible relief. I’ve never felt romantic or sexual attraction, and I’m also sex-and romance-repulsed. This definitely affects my work, especially my written work, because you create what you know. It’s hard for me to imagine being anyone other than myself, holding any identity other than aroace. As a result, much of my work features characters who are asexual and/or aromantic.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Specifically related to my art, I haven’t come across much negativity. I think this is largely because most of my work concerning asexuality hasn’t made it very far out into the world yet. I worry that readers won’t understand the way my characters feel and interact with the world, and I worry that artwork about my asexuality will result in negativity directed at me. I think it’s likely that I will encounter prejudice or ignorance when my work spreads around a little more, and when faced with it, I think I’ll have to remember that all of us are ignorant to something and that the only way to educate is through understanding. I’ve been uninformed and misinformed about countless topics, and I was able to learn more about them when people treated me with respect and open-mindedness. I will strive to do the same. If that fails, though, if I run into someone who can’t see my point of view and won’t make an effort to do so (as I have frequently encountered outside the art world), I’ll need to remember a mantra my therapist once gave me: “They’re doing the best they can.” Sometimes, other people’s “best” isn’t enough for us. But we have to remember that we all have our limits and that, sometimes, our knowledge is beyond the limits of someone else. At that point, I’ll have to take a step back from my stubbornness and abandon the argument. It’s not always worth it.

What’s the most common misconception about asexuality that you’ve encountered?

I commonly see this both outside and within the LGBTQ community, and the latter can be particularly frustrating. Many people think that asexuality is synonymous or similar to abstinence, which isn’t true. They believe that asexuality is simply a lack of desire for sex, and that’s not quite true. Asexuality is a lack of attraction (and even beyond that, it comes on a spectrum). Not all asexuals are sex-repulsed or sex-averse, and some asexuals engage in sexual acts for a variety of reasons. Furthermore, many people seem to think that being asexual is the same as being aromantic. I often find it difficult to explain that there’s a difference between romantic and sexual attraction and that some asexuals do, in fact, feel romantic attraction.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

The main thing that’s often said but can never be said enough is never be said enough is you are NOT broken. I spent years of my life thinking I was and became resigned to the idea that one day I would have to have a relationship, even though I didn’t want one. Here’s what I have to say about that: you don’t have to do anything you don’t want to do. You don’t have to try to force yourself to feel something you don’t. Wherever you lie on the spectrum, you are valid, you are seen, you are whole, and you are not alone. You may feel guilty sometimes for not reciprocating someone’s feelings. You may feel empty sometimes, or alone, or angry. And all of that is valid—your feelings are always valid—but you don’t have to feel any of that. Teach yourself that you don’t need to be ashamed of your orientation. It’s a part of you, you can’t get rid of it, so you might as well learn to love it. And you can. I have.

Finally, where can people find out more about your work?

I don’t yet have a proper website, but you can find me on social media. My art Tumblr is and my main Tumblr is I’m also on Instagram at You can find my art on Redbubble at You can read some of my written work at You can buy my children’s book at .

Have a great day! 🙂

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Thank you, Kaylee, for participating in this interview and this project. It’s very much appreciated.

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