Interview: Hampermarketplace

Today we’re joined by Hampermarketplace, who also goes by Sophie. Sophie is a phenomenal visual artist and fanartist. For visual art, they mostly do digital illustration, both original work and fanart, They also do some photography as a hobby. Aside from that, Sophie also cosplays and writes fanfiction. It’s clear they’re a dedicated and passionate artist as you’ll soon read. My thanks to them for taking the time to participate in this interview.

hampermarketplace homestuck collage
Homestuck Collage

WORK

Please, tell us about your art.

Sure thing! I’m mostly a digital artist, though I don’t know if “drawing” or “painting” describes best what I do, but in any case, I have a lot of fun doing it. I draw a lot of Homestuck, (I’m unfortunately rather obsessed with it—and it’s easy to share online), but I also do original work, when the inspiration strikes. Since, when it comes to hobbies, I’m very much a jack of all trades, I’ve done writing (I once wrote a 40k fanfic, several one-shots, and began some original stories I’m probably never going to finish, I’ve got a word doc somewhere full of cringy poetry), cosplay (once again Homestuck—so basically, I’m just really good at putting on grey facepaint), and photography (I take my iPhone and try to take pretty pictures I then post on Instagram so it’s not just all filled with selfies).

Basically, I just like to create stuff, no matter the medium.

What inspires you?

You mean, apart from Homestuck? I’d say my life. Ok, I know that’s vague, but I haven’t quite got a more specific muse. There is a lot to show and tell about the subtleties of everyday life, the things I see, hear, or feel. I’m ADHD, so perhaps trying to put my constant zoning out to good use is my main inspiration after all. I think sunsets are good, too. They’ve got lots of pretty colors, there’s nothing like a rainy autumn sunset to get a good photoshoot full of pinks. The city inspires me, too. The sort of aesthetics born of the layered lives of so many people, written in the concrete and the weed peeking through it, the graffiti’s, the decaying factories and the shiny skyscrapers. In painting, I draw people a lot, too. I think it’s because the figure is so evocative. I like the humanity, the feelings, the fleeting joys and pains of life, and so I try to capture them whenever I’m bored enough. It’s cheesy, but it’s true.

What got you interested in your field?  Have you always wanted to be an artist?

Oh boy. Well, I’ve always hung around people who drew, and the envy that I felt at their cool talents pushed me to try my hand at it. Around maybe 11 or 12, I got into manga and anime, and the thing with those, is that they make the human figure very appealing, and yet very simple-looking to draw, for someone who is just starting out. I’ve been a casual artist ever since my early teens, and recently, when I graduated high school and all my friends entered art programs, I started to realize just how much I didn’t know about art, and that’s really what helped me get much better really fast. Just a year ago, I didn’t draw half as well as I do now, because now I draw almost every day, pay attention to the world and put a lot more effort in studying the theory of art than I ever did in any of my school classes, ever.

I’m still in college, and I’m not planning on making a career out of my art, but I’ve still got some ambitions to reach a point where I can paint and draw at a professional level, for myself.

Maybe one day I’ll write an actual book or make money from my art—I’ve been offered to be an assistant photographer once, when I showed my Instagram feed to the woman whom we had hired to take our family portraits, but it didn’t work out. In the end, I take opportunities as they go. Art is just one of the things for which I have potential and interest, it’s a refuge, and I don’t want to ruin that by forcing it into a business perspective.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Well, I’m known on most platforms (Instagram, deviantart, tumblr—although only for Homestuck in the last one) as hampermarketplace, and I sign my digital paintings (some of them—I often forget) as HMP. By now, it’s how I sign pretty much all of my artwork. Often, I won’t put it in the lower corner, but try to include it within the drawing, if there is writing somewhere, graffiti or posters in the background. It’s my thing.

What advice would you give young aspiring artists?

You’re going to feel bad sometimes, like you can’t quite illustrate what you want, or like everyone is better than you. It’s important to learn to use that dissatisfaction as motivation, not as a deterrent. The process of improving is an adventure, to be taken one step at a time, so awaken your inner Moana or whatever, and sing about wanting to know how far you’ll go. When you’re stalling, and nothing works, push through by going back to your basics, and putting less pressure on yourself. Take a chill pill. Go watch some Bob Ross. It’s ok to just doodle for 15 minutes sometimes, you’ve got to make art time a time to meditate, to enjoy yourself. If you do it right, it won’t feel like a chore (too much—I can’t make any promises if you decide to make a living out of it). One day you’ll look back and be amazed by how far you’ve come.

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Montage

ASEXUALITY

Where on the spectrum do you identify?

I’m asexual, low libido but not sex repulsed per se, and somewhere in the grey areas of romance, probably demi, although I still think of myself as a lesbian because I’ve always had a strong aesthetic attraction to women, and if I were to fall in love, I feel like it would be with a woman, or someone woman-aligned. I identify *mostly* as a woman, although I won’t deny to some gender fluidity as well.

Usually, the womanlier I feel, the gayer I get, then on some days I’m just what is gender and what is love, I want to blog about cats. My main on Tumblr is like 75% cats, 20% beautiful women and 5% ace positivity. I think that sums it up pretty well.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

The most kind of ace prejudice or ignorance I’ve personally encountered is from myself. I’m usually quite down-low about it, I’ve come out a couple of times, but not to everyone, and I’m pretty sure most people going through my art aren’t even aware of my sexuality—I come off quite gay in real life. Since I don’t do commercial work, I can easily surround myself with people who are OK with my orientation, and anyway, I live in some of the most progressive places, where no one would openly challenge you on stuff like that, even if they disagreed with it. I’m lucky in that regard. I’m always afraid that people will still hold subconscious prejudice towards me, though, I don’t think I’m paranoid, but I need to get over it if I want to be myself, and work towards deconstructing those prejudices. When I’ve actually come out, I’ve been met mostly with love and acceptance—just once a bit of confusion. Also, once I came out to a sex-loving vegan by saying “I don’t like sex, but I do like ice cream” and she just told me “You go girl! Live your best life!” and anyway, she gets it.

What’s the most common misconception about asexuality that you’ve encountered?

I think this one is not an explicit, but an implicit misconception that even well-meaning people will hold, and that is this idea that aces don’t like to talk about sex, or be exposed to sexuality, and that the goal of asexual activism is to make a world where it’s possible to ignore the fact that sex and romance exists. I mean, some aces may be uncomfortable with discussions about sex, or don’t want to be exposed to explicit sexual content, but truly, anyone may have these holdups regardless of sexuality. The basics principles of consent, human decency and content warnings should be plenty to cover that. In my experience, most aces I’ve met are more than eager to talk about sex and the different types of attractions, so long as they are allowed to openly share their experiences without feeling like outcasts or weirdos. Unless they tell you otherwise, it should be perfectly fine to share your latest thirst with your friend who came out to you as ace. You don’t have to stop being yourself, and most asexuals don’t want to be treated like little kids with bleeding hearts that can’t handle the sexiness, neither do they want you to stop being yourself: they just want to be allowed to be themselves as well.

This is pretty abstract, I’m not sure if I’m making sense, but I feel like this needs to be said more. Asexuality doesn’t exist within queerness as a form of “Don’t force sex on me”, because, honestly, sex shouldn’t be forced on anyone, but rather as a force of “It’s OK to live in accordance to how you feel, regardless of social norms or whether or not it aligns with the majority around you,” because that represents much better the aroace community as I’ve known it: diverse, open, with a wide range of worldviews and experiences, just wanting to live their truth.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It’s not easy to find out who you are. Being asexual is challenging, because it’s probably even only one part of the identities you’re going to have to cope with—asexuality doesn’t mean you won’t have to deal with the prejudice of being gay, bi or trans—but it’s also challenging in and of itself. You’re going to have to deal with conflicting cultural ideals about chastity, lust, marriage and family, with a world that you’ll never quite understand despite your best efforts to do so, and which probably won’t even try to understand you. You’ll fidget in your psychology or sexuality class, not quite capable of explaining how you know for a fact the textbook is wrong without sounding like you’ve spent way too much time on Tumblr. You’ll smile, glad, at queer representation in the media, not quite daring to ask for some yourself—afraid it’ll take away some gay or trans kid’s chance to see themselves on screen. You’ll feel like you don’t exist, like there are no historical figures or public personalities who can bear your flag in your name, you’ll doubt yourself.

Don’t. There is nothing to doubt about it, there is nothing to be ashamed about. You’re on the frontline of progress, of our growing understanding of love and sexuality, as a society. Asexual people have always been there—the world just didn’t have a box to place them in until recently. Before that, we erred like bohemians among dandies and spinsters, bisexuals, pilgrims and nuns. But today, there are words for it, for asexuality, for aromanticism, for all the maybes and in-betweens. We are many, more than you would think, and we are solidary—to one another, and to the gay, lesbian, bisexual and trans people, and to all other minorities, and it is our strength. Through sharing our experiences, through creating new words to define how we feel, we help people from all walks of life define themselves. So maybe, really, we’re something like great.

You can be proud.

Finally, where can people find out more about your work?

My main blog on Tumblr is chaoticintellectual, though, like mentioned previously, it’s mostly  filled with cats and pretty women.

I have a Homestuck blog where I post art frequently, called Hampermarketplace, for all the filthy Homestucks out there

I write on AO3 under the name miki_and_company

Hampermarketplace is also my DeviantArt, though I don’t post much on there, but I do show my original art there more,

And finally, my Instagram, still hampermarketplace, where I post a lot of my photography.

My inboxes are open to talk, I’m quite friendly and impishly verbose, however I’ll be gone and inactive for most of the summer, sadly, but I’ll be back without question next fall.

Thank you, Sophie, for participating in this interview and this project. It’s very much appreciated.

Interview: James Hastings

Today we’re joined by James Hastings. James is a phenomenal filmmaker who also dabbles a bit in music and comedy. He’s a freelance cinematographer, though he has a wide range of interests (and also happens to be a fellow fan of the great Buster Keaton). James is also working on writing a feature. It’s always fantastic to see aces in film. My thanks to him for taking the time to participate in this interview.

headshot-self-portrait

WORK

Please, tell us about your art.

Oh man, I do all kinds of stuff. My main bag is my work as a freelance cinematographer, but I also do covers and write comedy music for fun. I run a sketch-comedy YouTube channel called Cinema Wagon on which I do videos with my improv and industry friends, and in addition to all of that stuff, I’m currently in the writing phase of a feature film that I hope to produce independently in 2018.

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Bagman, Production Shot 1, photo by Chris Ertman

What inspires you?

A lot of my sketch-comedy work comes from the mildly obsessive way my brain works. An idea or an interaction that I had will get stuck in my head for a while, and I’ll replay the situation that created those ideas over and over again in my mind, but with something going differently each time, and it either becomes really entertaining or I just stop thinking about it until it pops up as part of another cycle of that process. That, or I’ll see a cool shot or think of a visual, then knock out a story to fit around that shot so I have an excuse to try it out. The people that I’m friends with also bring really good, creative stuff to the table all of the time as well.

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Bagman, Production Shot 2, photo by Chris Ertman

My visual style is really informed by the works of Julian Smith, Edgar Wright, Ciaran O’Brien, the Kids In The Hall, The Coen Brothers, Charlie Chaplain, and Buster Keaton. I think the Edgar Wright and Julian Smith influences come through a bit more in my visuals than others. I’ve also been trying to look at and learn more from renaissance art and how the visual composition of those pieces worked.

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Bagman, production shot 3, photo by Chris Ertman

What got you interested in your field?  Have you always wanted to be an artist?

I initially wanted to be an animator. I grew up watching cartoons from the 50’s-90s, and I thought that it would be super cool to make things like them. As time went on, I got more into the theatre world, and that lead me to an interest in special effects makeup. Because of this, I found the Indie Mogul YouTube channel back when they were doing Backyard FX, and as I learned more about the rest of the filmmaking process, I went from wanting to be a special effects artist to wanting to direct my own films. Around that time, my dad gave me his old Mamiya ZE Quartz film SLR, and I started learning to take pictures with old photographic lenses, and I realized that I really love the process of working with a camera. I also finally accepted that I’m a terrible animator around that time, and my career trajectory was pretty well set.

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Bagman, production shot 4, steadicam, photo by Christina Estillore

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I have a prop zombie head named Thomas that I made in my time learning FX makeup that I like to hide in the background of the occasional shot. It’s not a consistent gag, but it pops up in most of my indie projects. There’s also a running joke amongst my peers about my propensity for shooting with wide-angle lenses. (12mm and 28mm are two of my favourites.)

On the post-production end of things, I have a set of “woosh” sounds that I recorded at the age of 14 in my bedroom that I have used in almost every project on which I have been in charge of the sound mix. Sometimes, it’s subtle, sometimes it’s very noticeable.

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Bagman, still 1

What advice would you give young aspiring artists?

This one is tough since I’m still pretty young myself, but I have two pieces of advice that really helped me.

The first one is specific to cinematographers. It is not your job to make the images of a project look the way that you want them to. It is your job to help the director get what’s in their head onto the camera’s image sensor. You’ll be bringing ideas of your own to the table for sure, but at the end of the day, unless you’re also the director of a project, you don’t get the final say. The sooner you can learn to collaborate effectively, the sooner you’ll start to get called back to work on more projects.

The second one is a little more general, but it was important for me to hear. If you’re just starting out, you probably suck at what you do. That’s okay. Everybody sucks at first. The important thing is to power through that sucking and never stop trying to learn how to be better. As long as you’re trying to improve, you will. It may take a long damn time, but it will happen, and you won’t even notice until you look back at your old work and see your progression.

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Contract Killer, frame grab

ASEXUALITY

Where on the spectrum do you identify?

I am a grey-romantic, sex-repulsed asexual.

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Dead End Town, 2012

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

It really depends on the crew that I’m working with.

Some of the older, more established people in the industry aren’t really familiar with the concept of asexuality, but it also never really comes up when I’m working with them. If it does, I tend to blow it off by saying something like, “I care more about my craft than relationships.”

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Relentless, on set, photo by Dan Chomistek

Younger crews that have been coming up at the same time as me have been far easier to explain asexuality to if it comes up, but again, it’s pretty rare. People hire me because of the way I make things look, not the way that I feel (or don’t feel) about other people.

It’s probably easier for me as a white, cisgendered man in the industry to deal with it than other groups of people, though.

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Pee Break, frame grab

What’s the most common misconception about asexuality that you’ve encountered?

I think the most common one that I’ve encountered has to be the idea that asexuality is just a lack of maturity. I’ve also heard a lot about it, “going against human nature” as well. Standard stuff. It got old fast.

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Realistic Musicals, frame grab

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

I actually had a pretty easy time coming to terms with my asexuality, so I don’t have much advice specific to asexuality.

I was a bit of a social outcast when I was younger, though, and when I finally did develop a group of friends in my high-school, it turned out that I had a lot of other stuff to work through. It really helped me to talk to them about those things. If you can find an outlet like that in real life, great! If not, there are all kinds of resources about asexuality for you to check out.

If all else fails, just know that you’re not broken. You’re valid, and there’s a veritable crapload of people like you. We’ve got your back. Take care of yourself.

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Recalculating, frame grab

Finally, where can people find out more about your work?

I take set-photos on Instagram,
http://instagram.com/jawmsie

I tweet about all of my finished projects, as well as the occasional BTS schennanigans,
http://twitter.com/jawmsie

And I release all of my comedy sketches on the Cinema Wagon YouTube channel.
http://youtube.com/c/cinemawagonvideo

Thanks for checking out this interview, and I hope you enjoy my work if you do check it out.

bagman-still-2
Bagman, still 2

Thank you, James, for participating in this interview and this project. It’s very much appreciated.

Interview: Axel

Today we’re joined by Axel. Axel is a phenomenal and versatile artist from France who does a bit of everything. He enjoys writing when he finds inspiration, does a fair amount of visual art, and is very enthusiastic about SFX makeup. While there’s a bit of darkness to his work, there’s also an incredible attention to detail. My thanks to him for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I am a super-productive ace during some days of the year. I write, I draw, I do some SFX make-up, and some other things. I am not an art student, I am learning everything myself, and decided to simply express myself through various medias, depending on which one I find more appropriate to speak my mind.

What inspires you?

My nightmares are a good inspiration. I am not talking about real nightmares that I have had during my sleep: I am talking about my fears, my doubts. I like to create things that can recreate how I live, what I see, and how I feel during my days.

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What got you interested in your field?  Have you always wanted to be an artist?

When I was in elementary school, I wanted to draw but was persuaded that my skills were so bad that trying was not worth it. I figured out I was wrong, once, as someone told me I did not draw how they wanted me to draw, but more in a particular way. And that was my way. I liked it. I kept it. I bought books, I watched videos, I learned, and I kept drawing.

Still, I always wanted to be an artist but always have had a low self-esteem. My work could not be of any interest as so many people did things much better than I did. But I was wrong: I am not drawing to be good, I am drawing to express myself. As well as I am writing or creating make-up to express myself.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t think I have anything like that for now.

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What advice would you give young aspiring artists?

Do not give up. Even if your family is not supporting you – which was my case. Even if your friends are not understanding your art. Even if you feel like many others are doing better.

Do it for yourself. To feel better. To communicate. To create. To live.

Remember that being great in an artistic field does not make you the best : you have to express something. Keep exercising, do not stop trusting yourself. You are the best at being you.

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ASEXUALITY

Where on the spectrum do you identify?

I am a grey-romantic (aromantic most of the time) asexual.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

As I did not speak of my asexuality to many people, and did not show it in my drawings until … a few hours ago. I did not directly encountered any prejudice or ignorance. I just know that there is a lack of representation that is more than obvious, and it often leads to misconceptions that can be hurtful. It affects us, but we are not the only ones to lose something by this lack of understanding: everyone is, sadly enough.

What’s the most common misconception about asexuality that you’ve encountered?

“If you are an asexual, you must have lived through a traumatic experience, or are depressed, or have a biological dysfunction”. I had this one talking to old lesbians that were surprised that LGBT+-phobia are still existing today. Funny thing: they were saying to me exactly what people said to them when they were younger.

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What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Be proud of yourself. That’s the most powerful thing ever. Be proud of who you are. It does not mean that you have to tell everything to everyone: it just means that you are yourself, and you can be. Go wherever you feel safe, and talk with people that have similar experiences. Help each other. Remember that you are not alone, and that you are a fine person.

Finally, where can people find out more about your work?

I will soon create a blog to post my stuff. But for now, I am creating a series of sketches about ace/trans/aro issues and jokes on my Tumblr: naerlhyss.tumblr.com

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Thank you, Axel, for participating in this interview and this project. It’s very much appreciated.