Interview: Imogen

Today we’re joined by Imogen. Imogen is a phenomenal performance artist from New Zealand. She does a bit of everything: acting, singing, dancing, and was even in orchestra for a bit. When she’s not performing, Imogen loves to write. She’s currently writing a novel and recently, a play that she wrote and directed was performed. It’s clear she’s a talented and dedicated artist who loves to create, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about your art.

I suppose that my art is in storytelling, or presenting. I am a performer, in all areas. I did ballet for 12 years, did singing, was involved with the school choirs and orchestra and I am currently writing a novel.

I act whenever possible, and often say that ‘I am most myself when I am on the stage, pretending to be someone else.’

Recently I wrote and directed an original play called “Evil Con!” It was fun play about a bunch of villains hanging out, and a henchman (Bob) who ruined their time.

What inspires you?

Death.  Both the character (mainly the Discworld version) for his … belief in humanity for lack of a better description, and the act itself. We are all going to die eventually, and this life is all we have, so we should try and make it to our deaths alive.

It sounds contradictory, but that is what inspires me. The fact that we will one day die inspires me to live, and to do what I love – Reading, Writing, Shopping, Dancing, Singing, Acting.

What got you interested in your field?  Have you always wanted to be an artist?

… Everything I suppose.

I’ve always loved performing, and when I started dancing; I fell in love with the discipline it requires and the freedom and emotions it allows you to express. The same with writing. You have to be disciplined to keep writing, and writing allows you to explore and understand everything that there could possibly be.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I’m not sure if anything I do is unique or special, but I suppose that there are constants of my works. My writing is very character driven with simple plot-lines. My movements are infused naturally with the twelve years of ballet, I find it very challenging to NOT have perfect posture.

I also like to use and mock clichés. A friend once said “Clichés are cliché for a reason; it’s because they work.” She was right. I like using clichés because they do work, but I also like to mock clichés … because they are cliché. It makes for an interesting balance within my work.

I don’t want to mock too much to make my art into a parody, but nor do I wish o be too serious in my use of clichés as that could take away from the worlds I’m trying to create.

What advice would you give young aspiring artists?

The same advice that any artist gives. “Don’t give up” and “Create the Art you want”. Write the stories that you want to read, draw the images you want to look at, make the music that you want to hear, produce the shows that you want to see. And whatever else you do; don’t give up. This is the advice given by any successful artist, and it is true.

ASEXUALITY

Where on the spectrum do you identify?

Greysexual. I think of it as – on a scale of 1-10 (0 being absolutely Asexual and also Sex-Repulsed, and 11 being Nymphomaniac/Sex Addict) I am a 2; occasionally a 3.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I am quite lucky in that I haven’t personally had ace prejudice directed towards me. I actually believe that everyone should be involved with community theatre at some point in their lives; yes, there are a couple of divas, but most people are really awesome, open-minded and accepting of everyone else. It’s definitely a place where you can be free to be yourself.

I have felt prejudice in life though.

Whenever I see those arguments online about “Girls do actually only wear make-up and form-fitting clothes because they do actually want attention – even if it’s only subconsciously.”

Those arguments are completely frustrating. They infuriate me – not just as a girl who likes to wear makeup, but also as someone on the ace spectrum. It completely disregards the fact that some of us have no interest in finding a ‘sexual partner’ but like to look nice – I don’t wear makeup and formfitting clothes because I’m “trying to find a mate”, but because I’m Vain, and I like looking at myself in the mirror! I don’t need to be interested in sex to be pretty.

I usually deal with it by trying to ignore it, and by remembering that there are intelligent people in the world who don’t share the above opinion.

What’s the most common misconception about asexuality that you’ve encountered?

Possibly the whole ‘just need the right person’ thing.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

The same advice I’ve seen on these awesome interviews. That you’re not alone and that you are definitely not broken. You are you, and as long as you are okay with that, then that is the only thing you need to be.

Finally, where can people find out more about your work?

Unless in NZ people probably won’t be able to find my work, but I do have a couple of fanfictions written under the name ‘Aslansphoenix’.

Although if you give me a couple of years and hopefully my novel will get published and enjoyed.

Thank you, Imogen, for participating in this interview and this project. It’s very much appreciated.

Interview: Zachary

Today we’re joined by Zachary. Zachary is a young writer who has an incredibly passion for the theater. They’re a playwright and they’ve recently written a play about a girl coming to terms with her asexuality. Zachary also aspires to act one day. It’s very clear they have a bright future ahead of them. My thanks to them for taking the time to participate in this interview.

WORK

Please, tell us about your art.

I have been an aspiring thespian and writer for a very long time, and recently have started combining these passions: I’ve started to write plays, the first of which is about a teenage girl coming to terms with her own Asexuality.

What inspires you?

I’ve always drawn inspiration from several different sources, but for all my Asexuality related work, it’s been from a sense of wanting to reach out to people and assure them that they might not be alone. That’s what pushes me to keep working on projects like these.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always been interested in literature since I was born, as my parents would often read to me as a child. It wasn’t until my high school drama teacher read some of my writing and suggested I try scripts that I got into playwriting, however.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Every play I’ve written, especially Unbreakable, uses the idea of the title in a surface way, but it also persists as a unique symbol, where I use it on as many layers as I can. The word unbreakable, in particular, not only applies to the main character, but every character in the play.

What advice would you give young aspiring artists?

Find something or someone who makes you want to keep doing what you’re doing. You’ll never finish your larger projects unless you have something to work for.

ASEXUALITY

Where on the spectrum do you identify?

When it comes to sexuality, I am Asexual. However, I am also Biromantic.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I have not encountered much, if any prejudice, but oftentimes, when I encounter ignorance, I find the best solution is gentle education. Most people will respond well to learning, so long as you keep yourself from condescension.

What’s the most common misconception about asexuality that you’ve encountered?

That we don’t ever have or want sex. I personally do not, but anytime I encounter that assumption, I do my best to dispel that notion.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It takes time. There’s no need to rush, and no one is forcing you to figure it out. Even if you’re certain that you’ve settled on how you identify, it might take time to feel completely comfortable with it. And that’s ok. Don’t force yourself to do anything.

Finally, where can people find out more about your work?

At the moment, my work isn’t really anywhere public. If someone is interested enough, though I have no idea why they would be, they could contact me at zwt.wynen@gmail.com. My plays are all currently private so far, but a few are currently going through the publication process. With any luck, you might be able to see the scripts with affiliation with Samuel French Inc.

Thank you, Zachary, for participating in this interview and this project. It’s very much appreciated.

Interview: James Wylder

Today we’re joined by James Wylder.  James is an incredibly talented and versatile writer who I met at this year’s Indy PopCon (it’s always wonderful to run into a fellow ace at conventions).  He has written in a variety of genres including fiction, non-fiction, poetry, and plays.  He’s definitely a writer we’ll be seeing more of in the future.  My thanks to him for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I write, and I write in a ton of different mediums. I’ve had published fiction, non-fiction, poetry, and plays, as well as several produced plays such as “Cryptos” and “Rex Stout Rings Again!” and a free RPG module from Shotgun Angel Games. I’m always open to trying new things, experimenting, and pushing my writing into areas I’ve never explored before. Some of my best works have come from the act of pushing myself into emotional areas I was uncomfortable exploring, as well as formats and styles I wasn’t sure about. That willingness to try anything thrown at me has characterized me as a writer more than anything. I’ve produced extremely serious works, such as my play “Paper Gods”, but also very lighthearted books like my book of poetry about the TV show Doctor Who “An Eloquence of Time and Space.”

Right now I’m working on a giant project called 10,000 Dawns, which is a serialized story that releases a chapter every week furthering the adventure, and also features an audio book version of the chapter and unique art to accompany it by Annie Zhu. It’s been crazy trying to co-ordinate and balance everything, but the response has been great so far!

What inspires you?

I’ve always found this question difficult, because the answer changes so often. My fluttering between genres, styles, and tones has benefited from my many inspirations, but it does mean I’m often at a loss on how to inspire myself when I find myself hitting a road block in my work.

I suppose variety itself inspires me, the vastness of the world and the many differences between people and places large and small fascinate me!

Music is a constant inspiration and motivator for me. I always am listening to something while I write, usually a playlist with a David Bowie song on it.

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What got you interested in your field?  Have you always wanted to be an artist?

I’ve wanted to be a writer since I was a little kid. My dad used to read me Michael Stackpole and Timothy Zahn’s Star Wars novels by my bedside, and I wanted to grow up to tell stories like that! I made books as a kid before I could even write, asking other people to write the worlds I wanted written down on the page and doing the (messy) illustrations myself. I’ve wanted to tell stories my whole life, it’s my honor to have that chance now.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I didn’t realize it till it was pointed out to me, but every single major work I’ve written contains at least one Doctor Who reference. It was my favorite TV show since I was, oh, three years old or so and its had a deep impact on me.

On a more personal level, I love having a symbol within a work that contains half of one thing, and half of another. Sometimes it’s literally, like the half-sun/half-moon symbol that crops up in 10,000 Dawns, but sometimes it’s more subtle. Things in our lives are never so simple as one thing, and I like seeing the shades between them.

What advice would you give young aspiring artists?

I’d give three fold advice: 1. Don’t give up. 2. Don’t reject your own vision for being too “out there”. 3. Be realistic about your own work.

Perseverance is key, as is having a unique way of seeing the world and expressing it, but also you have to recognize that some things might not have a market worth selling to, and that an editor wanting to help improve your work isn’t ‘corrupting’ your vision.

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ASEXUALITY

Where on the spectrum do you identify?

I’m hetero-demisexual, heteroromantic cisgender male. In a lot of ways this made me feel very uncomfortable coming out to my friends in the LGBTQIA+/MOGAI community because I didn’t feel like I was “not-straight enough”. I still struggle with being open about my identity with people. I have choked up more than once and just said I’m straight, or that “my friend is on the ace spectrum…” I’m not proud of that, but not everyone has always been accepting.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve had a few instances of ignorance from fellow creators, namely a person who told me that I wasn’t really on the ace-spectrum because I should have known I was already, and shouldn’t have had to discover it, as well as some other minor bits and bobbles.

I have to work with a lot of ignorant people in my field, so I’ve developed a polite distance from many. I’ve learned to separate people I can work with on a business level from people I can trust on a personal level. Those people who overlap are truly special to me!

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What’s the most common misconception about asexuality that you’ve encountered?

That it’s not real, and that I just want fancy words for myself so I can feel “special”.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

That it’s okay to be who you are, even when other people don’t get it, and that it’s okay to struggle with it and feel uncomfortable. You have so much baggage from how society has told you to think about sex, and your own sexuality to unpack, and there is no shame in not being okay while you work through it. Just don’t be alone in it, and don’t do anything you’ll regret. There are people who will love and support you, even if you haven’t found them yet!

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Finally, where can people find out more about your work?

The best place is my website, jameswylder.com where I post up all sorts of fantastic things!
I’m also on twitter as @arcbeatle,
On Facebook as: James Wylder, Writer
And you can find me on Tumblr at tardistogongen.tumblr.com, but fair warning that its mostly just things I really like that I find and reblog.

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Thank you so much, James, for participating in this interview and this project.  It’s very much appreciated.