Interview: Dominique Cyprès

Today we’re joined by Dominique Cyprès. Dominique is a phenomenal writer who has dabbled with various forms including fiction and nonfiction. Their first love is poetry and they have written plenty of different kinds of poetry. They have a story in Unburied Fables, an anthology from Creative Aces. It’s obvious they’re a passionate and dedicated writer, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’ve dabbled in a lot of different sorts of writing – from fiction to creative non-fiction, poetry in both verse and prose. As someone with an overlapping interest in tech, I’ve also experimented a little with interactive fiction. I’m really interested in what new ground can still be broken with Infocom-style text adventures.

I’ve also forayed a little into video editing and stereographic photography. I’m pretty much the prototypical “jack of all trades” in that I keep trying new media and I don’t often stick with one and try to master it. In the end, though, everything seems to come back to poetry. I often find that when I’m working on fiction, or text adventures, or visual media, I’m compelled to find a way to inject poetry into that medium.

What inspires you?

My primary motivation in making art is a sort of practical mysticism; my goal is to give voice to the enormous wonder and bewilderment I feel trying to make sense of both the natural world and interpersonal interaction. As an autistic person, I often find myself in the sort of situation that Temple Grandin refers to as being “an anthropologist on Mars.” The world often seems an altogether foreign place to me, and my art (when I have the time to make it) acts essentially as fields notes on this inscrutable country.

What got you interested in your field?  Have you always wanted to be an artist?

The artistic role models who have most informed the direction I take in poetry are probably Emily Dickinson, Miyazawa Kenji (whose work I have read only in English translation), and Charles Simic. Dickinson and Miyazawa together really pulled me toward poetry as a medium in the first place, and their biographies and work share certain themes in common. Both were disabled and regarded as odd by their communities. Both expressed in their work an immense love of humanity and of nature, but wrote from a perspective of looking upon these subjects from the outside, and both wrote largely for themselves and did not manage to sell much of their work to professional publications during their lifetimes.

Simic’s influence on me comes through his seminal Pulitzer-prize winning volume The World Doesn’t End, and largely has to do with his pioneering work on the form of prose poetry, and his use of ambiguous and discordant sensory images to cultivate what poets refer to as “negative capability,” the ability to draw art out of questions that have no answers, out of confusion and non-rational thought.

I tend to think of art as something I am inclined to do, and not as a feature of who I am, perhaps because I’ve long had it drilled into my head that writing poetry alone is not a viable professional path for someone who needs to support themself and their family financially. I’ve heard this even from former U.S. Poet Laureate Mark Strand, who derives much of his personal income from his work as a college professor.

As a young person I wanted to devote my life to art in some way professionally. As I neared the end of high school I told my parents I wanted to study acting full-time in college and choose that as my field. They asked where I would find the money to feed myself and I didn’t really have an answer, so I studied psychology instead, and wound up dropping out of college after three years when I reached a point where my undiagnosed learning disabilities had started to make it impossible to complete my coursework.

At that point, in 2012, my self-esteem just bottomed out entirely, and one thing to I did in an effort to pull it back up was to take a bunch of poetry I had been working on while I was at school (where I was pursuing a creative writing minor) and build on that work, flesh out its themes a little bit, and compile it into a book I could have printed through a major self-publishing-platform. That was Dogs from your childhood & other unrealities. I had neither the money nor the energy to engage in any serious promotion for it at the time, but being able to share my work with some appreciative friends in that manner was the kind of encouragement I needed.

Now I’m working on a new volume of poems. It’s necessarily very different from my last book, because I’ve changed a lot since 2012. It’s in verse, whereas my last book was entirely in prose. It’s much more concerned with overtly political questions, with the relationships between the wage worker and their work, with the struggles of a young and growing family. I hardly find time to work on it, as a full-time retail worker, part-time student, and parent, but I’m excited to share the personal growth I’ve experienced in this form.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I often feel that I’m walking a metaphorical tightrope in my work, attempting to balance impulses toward self-deprecation, disillusionment, and cynicism on one hand and an irrepressible sense of naïve wonder on the other. That’s a feature of my everyday life, too, but I expect it comes out a lot in what I make.

What advice would you give young aspiring artists?

My advice would be to try to hold on to your art, to what you do that moves you on a deep level, even when it doesn’t pay the bills. And if you have to step aside from making art because you’re depressed or just too busy struggling to survive for a while, you need not be ashamed. Go back to your art when you’re ready and let it accept you with open arms.

ASEXUALITY

Where on the spectrum do you identify?

I’m asexual, and I’ve identified myself as such since age 20 when I first heard about other asexual people. I’m quoiromantic. I’m married now; I have two spouses and a child, and the fact that I’m asexual doesn’t come up very often in my day-to-day life. But if I had never identified myself as asexual in the first place, I probably wouldn’t be married now, because it was identifying as asexual that allowed me first to accept myself for who I am, and then to find people who understood and accepted me enough to start a family with me.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

There’s a strong push for writers of creative non-fiction and poetry today to candidly confess intimate details of their personal lives, and that very often includes one’s sex life and sexuality. That can be an uncomfortable demand for an asexual writer and I encourage other writers to share only what they can share confidently. As it happens, though, I have made very few connections “in my field”, so I don’t yet have any direct experience with ignorance around ace issues directed at me as a writer.

What’s the most common misconception about asexuality that you’ve encountered?

As much as you can insist to people that asexuality is your sexual orientation, some people will be determined to see it as a medical symptom that you should somehow be treating, or as an ideological position. There’s only so much myth-dispelling educational material you can provide to someone before it becomes a waste of time.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

The decision to reclassify Pluto as a dwarf planet, and not as a proper planet, was an arbitrary taxonomic exercise, motivated by mounting discoveries of Pluto-sized objects in our solar system. Essentially, if we continued to count Pluto as a planet, there would be so many newly-found planets of similar size that we could never hope to make elementary school children memorize all their names. But Pluto is still out there in the Kuiper belt, and it’s still an important target for scientific research.

Similarly, your experiences as an asexual person are real and an important part of your life even when other people find it inconvenient to acknowledge them.

Finally, where can people find out more about your work?

Dogs from your childhood & other unrealities is still available in print and as a free e-book via my blog. My next book, tentatively titled dead monochrome doggerel, is still in the works and I’ll be sure to announce it on my blog when it’s ready.

Thank you, Dominique, for participating in this interview and this project. It’s very much appreciated.

Interview: Lizzy

Today we’re joined by Lizzy, who also goes by Demonartis. Lizzy is a phenomenal visual artist who enjoys a lot of traditional mediums. She has done a lot of drawing and painting, but also engraving, calligraphy, and sculpting. Recently, Lizzy has started dabbling in digital art and enjoys it a lot. It’s very clear she’s incredibly passionate about art, which makes for a great read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

Well my work consists mostly of traditional mediums of visual art, from drawing and painting to engraving, calligraphy and sculpting, I’ve done a bit of everything. And work in every one of them pretty much in equal proportion. (Which is to say not nearly enough, lol.) Recently I have been dabbling in digital art and have taken quite a liking to it. I just really love doing stuff with my hands and I feel it’s a great way to put what’s in my mind out in the open, not only so other people can see it, but also because it helps me understand my own way of seeing things and reminds me that I am here and have a valid perspective on things.

What inspires you?

I’m inspired by emotions, both mine and those of other people, the intense dark or strange feelings that you can’t very well explain, the slightly creepy lovely things that are all around our world and the worlds of books and stories that I read and of course the shows that I watch, fan art is important. I’m also really inspired by other artist that are around me, my friends in art school are a really great bunch of people and I think new artists are a great source of inspiration.

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What got you interested in your field?  Have you always wanted to be an artist?

From as far back as I remember I have been drawing and have always loved art of every type but I couldn’t pick. I took singing lessons, and guitar lessons, and dance lessons; I tried a lot of things before finally settling on visual art. But I think that yes, in the bottom of my heart I’ve always wanted to be an artist.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I always sign my work with my real name, whether in a corner or hidden in the drawing somewhere. Nothing else that I have noticed.

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What advice would you give young aspiring artists?

Whatever type of art you do, do it with feeling, put a bit of you in it. As long as you love what you do, it’s absolutely worth the while. Try everything and don’t worry about having to work with one medium forever, or having to do one type of art forever, mix and match just, free yourself in art because there are no rules there. If there are things you can’t do, work within your limits don’t strain too much, but don’t give up, you have so much to offer to the world and to yourselves!

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ASEXUALITY

Where on the spectrum do you identify?

I identify as Quoiromantic Asexual.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve found a lot of ignorance related to asexuality, it’s virtually unknown to everyone I’ve talked to, but people in my field seem to be very open to the idea of being educated in such matters and I try my best to give them information as long as they want it.

What’s the most common misconception about asexuality that you’ve encountered?

That it’s not real and we just “haven’t found the right person” seems to be the most common here, also that we’re all just “late bloomers”.

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What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It’s perfectly fine to be confused about your aceness, or to be confused on your romantic orientation, don’t push yourself into anything you don’t want and feel free to explore and change you labels, learning about yourselves take a lot of time and a bunch of trial and error, so its fine if you don’t get it all right the first time.

Finally, where can people find out more about your work?

I can be found on Tumblr and Instagram as: Demonartis, and can also be found on Facebook as: Art of Demonartis.

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Thank you, Lizzy, for participating in this interview and this project. It’s very much appreciated.