Interview: Atraxura

Today we’re joined by Atraxura. Atraxura is a wonderful visual artist who specializes in drawing. She also paints, takes pictures, and makes jewelry, but she’s focused mostly on her drawing. Atraxura enjoys using limited color and it results in very striking imagery. It’s clear she loves what she does, as you’ll soon read. My thanks to her for taking the time to participating in this interview.

Guardians of Irkalla Kur
Guardians of Irkalla Kur


Please, tell us about your art.

I experiment with many different styles and media. I draw, paint, take photographs, make jewelry and write personal essays. In the past year, I have been focusing on drawing, and I have begun to evolve a style in my recent work with limited use of color, usually a vibrant, highly saturated red. I prefer the warm end of the color spectrum, from yellow to red-violet, and color psychology is integral to my work. I pay attention to geometry, ratios and perspective. You don’t necessarily notice it in my work, but I am fascinated with how important numbers are in aesthetics.

While I strive for realism, none of my subjects are merely representational. Everything illustrates a concept: animals are symbolic, as they were in ancient cultures. Skulls are the exoskeleton of the mind. A red eye in a pale background represents the will rising above apathy.

What inspires you?

Horror inspires me on the aesthetic level. I am drawn to the intense feelings it can evoke. I love high-energy excitement and intensity, not calm or complacent “happiness”, which feel toxic and antithetical to me. I want everything I do to reflect powerful, high-octave intensity.

I am a type-A person of a purely choleric temperament; ENTJ on the MBTI. I have a very angry and hostile nature, and I like to explore and defend this in my art. I also like to attack concepts I despise, e.g., conformity, complacency and all agents of passivity and inertia. I don’t do this to “calm down” — I detest calm — or to get rid of anger. I do it to communicate in a more powerful, profound way which reaches more people.

Collaboration with my soulmate, who is a musician and of very similar views and vision, also inspires both of us. I hate working alone.

Ignition of the Artless
Ignition of the Artless

What got you interested in your field?  Have you always wanted to be an artist?

Art has always been instinctive for me. Inert matter, such as a blank paper, exists to be acted upon. I want to change it to reflect my ideas and vision. I want to communicate with others on the most profound level possible. Art is naturally an ideal means for this, and for generating dialogue with like minds. That said, I have never wanted to “be” any one thing, but I always had a clear and exact vision of the lifestyle I wanted. It has always been imperative that I live on my own terms in every aspect; autonomous, being my own boss, keeping my own council.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I initial every drawing and painting. The “A”, along with being the initial of both my artist name and my legal name, represents my highest values: ambition, high standards, and to be forever striving upward. I strive to be the “alpha” in everything I do. If I were perfect, I would want to push the boundaries of perfection. I am changing the look of my initial now, to be more angular and volcanic.

What advice would you give young aspiring artists?

Erase words like “can’t” and “hard” from your vocabulary. I’ve destroyed innumerable paintings and drawings in rage when things don’t go exactly the way I want, but I start over with a better strategy. If something is difficult, it obsesses me. I persist until I get what I want. I refuse to be defeated by my own art.

Also, learn the basics of your craft, and dedicate regular time to work on improving your skills and becoming proficient with your tools/media. Develop an honest perspective on your abilities, so you can see your strengths and your areas which need improvement.

Finally, take yourself, your time, effort and ideas, very seriously. Others won’t until you do.

Love Between Cholerics
Love Between Cholerics


Where on the spectrum do you identify?

I am a sex repulsed libidoist. Perhaps I am demi-hetero-sapio-romantic. I met my soulmate on DeviantArt at the age of 23 and very quickly formed a deep and intense obsession, but I had never had an interest in anyone else. It was important to me that we have similar values and could interact on a profound level. I emigrated to France from the United States at 25 so we could live together. I don’t know if I would describe my feelings as merely romantic. I feel like the word doesn’t convey enough intensity, and this intensity has only increased with time.

Power in its multiple forms, especially knowledge, ignites my libido, but even the thought of sexual activity disgusts me and extinguishes the feeling. I find it revolting on the physical level (even with someone hygienic and physically attractive) and deeply disturbing and traumatizing on the emotional level (even with someone I love). For me, it threatens bonds rather than building them. I also have an extremely low tolerance for boredom, and despite the hype it gets, sex is the most tedious, banal activity which ever existed – not to mention an enormous liability with no inherent benefits.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I have read a lot about other aces experiencing prejudice, but I have not experienced any myself – not in the arts, anyway. If I did experience prejudice or ignorance, depending on the situation, I would try to clarify my experience and perspective. It is important for us to speak out about our own experiences and to be obstinate about this, so as not to let “reality” be defined by others, especially if they are hostile to us. After all, truth and wisdom are not usually found in numbers, even if strength and volume are.

I am fortunate enough to have read an article about asexuality in the (now extinct) magazine ElleGirl when I was 12 or 13 years old, so I knew that asexuality existed and that it seemed to fit with how I felt. If I hadn’t known about asexuality then, I would have probably experienced a lot of distressing confusion about myself throughout my life.

Later, I read about “sublimating” the libido into art or other activities, in The Satanic Bible, by Anton LaVey. (Napoleon Hill’s book Think and Grow Rich also speaks of sublimating the libido.) This in particular resonated with me deeply, as it described something which I had always been doing. “Sublimation” of the libido has always been natural for me, long before I knew what “sex” or “masturbation” meant – whereas having sex, or even thinking about it, still seems bizarre and unnatural to me. As I see it, sexual activity is only one outlet for the libido and definitely not the driving force behind it. I also realize that non-libidoist asexuals experience things differently from me, so this may be a prejudice which they encounter.

The Pallor Out of Time
The Pallor Out of Time

What’s the most common misconception about asexuality that you’ve encountered?

Almost every time I have told anyone I was asexual, they ask if I had been molested as a child. I have not experienced any kind of sexual trauma at any point in my life – though I know that some asexuals have – and I’m quite certain that I wouldn’t want to tell them if I had. This assumption can annoy me, as I feel like they are implying that the notion of someone not liking something “natural” is inconceivable unless the person had experienced something terrible which turned them against it. I realize they may not intend to imply anything.

I have had two different people try to use the fact that I didn’t date as “evidence” that I was insane, though I had not explicitly told these people I was asexual. I’m glad I didn’t waste my time and efforts dating people I had zero interest in.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Above all, don’t settle for a life or a lifestyle you don’t want, because someone –or society — pushes the idea that you “have to” live a certain way. There is no “have to” in life, beyond breathing. Seeking out positive and supportive people and choosing to spend your time with them can help to not feel alienated and marginalized; it can alleviate the pressure to behave a certain way to fit in.

I have always had a very exact vision of the life I wanted from as long as I could remember, with no compromises. I’ve always felt the need to live alone with a life partner or soulmate, with absolutely no children or family, but possibly a pet. Someone accepting of my asexuality. Someone I could be myself with and collaborate with. Someone who doesn’t smoke. Someone with a unique fashion sense, as shallow as that may seem. For so long, it seemed like no such person existed for me, yet “compromising” or settling for anyone else would have been intolerable. Now, I am so grateful to myself that I never did.

I know that there are people now, even among sexuals, who are in the same place I was, fearing that they will be alone forever, and being asexual can statistically narrow your options. I am skeptical about everything, so I was very aware that the odds were against me. All I can say now is that my dreams came true in this regard, so there’s hope for everyone. I feel a little awkward saying it, as it seems cliché, but it happened for me.

Finally, where can people find out more about your work?

I have a website, and I am on most social media platforms; Instagram, Twitter, and DeviantArt. I also have a blog on WordPress – and I usually follow back (with sincere interest). Most of my work is available as prints and merchandise on RedBubble.

Vermillion Snow
Vermillion Snow

Thank you, Atraxura, for participating in this interview and this project. It’s very much appreciated.