Interview: Tina Speece

Today we’re joined by Tina Speece, who also goes by tinadrawsstuff. Tina is a wonderful visual artist who specializes in pinups and portraits. She mostly does black and white and grayscale. Her work is beautiful and has an extraordinary amount of detail. It’s clear she’s a talented and passionate artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

1. Pink Pop Dress
Pink Pop Dress


Please, tell us about your art.

My name is Tina, and I’m multimedia artist-illustrator with a deep love of stories and storytelling. I love color, but I wind up working in black and white and grayscale a lot for reasons I still haven’t figured out. Pinups and portraits are my bread-and-butter and I take a lot of pride in making things “cute”.

What inspires you?

Stories!  Especially the way themes cycle and recycle and how we relate to those themes.  Cautionary tales disguised as kids’ bedtime stories, campfire scare stories that you know by heart but still a net a scream in the right atmosphere, stories “you think you know BUT” with some aspect changed [anything sympathetic to the monstrous is my favorite in this category]–there are patterns and beats that are older than time, but they still draw us in and we still keep going to those themes no matter what the world is like, and that’s so amazing to me!

2. Flapper Carmilla
Flapper Carmilla

What got you interested in your field?  Have you always wanted to be an artist?

Funny story: my 4th grade art teacher told me I had no talent for art and needed to pick a new elective, which as a highly impressionable child pretty much destroyed any confidence I could’ve had at any point as a kid.  I switched to vocal music and theater and didn’t really make any art for a long time after that.  I was still fascinated by visual arts but since I “had no talent” for it, I settled for watching tons of movies and cartoons and writing fanfiction, and telling myself “This is good, this is fine”.

Then I got to college, and was planning to go on as an English major.  My first semester (like most everybody’s first semester) was a hodgepodge of “required” Gen. Ed classes that didn’t have anything to do with what I wanted to be doing but I had to do it.  I had some really good friends in my Japanese class, and to practice both the writing and our vocab, we started making silly little comics with the characters in our book (the illustrations in GENKI! were really easy to copy). Because we were all doing little comics and we were all friends, there wasn’t pressure to be “great” at it? They were just silly little things that we made, that I enjoyed making–that I drew during other lectures because I have always needed to do something while listening to something else so I could focus.

So I was sitting in Philosophy one day, doodling the ongoing love-triangle between Mary, Susan, and Takashi and listening to the lecture when it hit me [we’re talking a metaphorical punch to the face]: I like language, I don’t like it enough to sit and analyse it to this kind of depth for the next four years.  I called my mom, told her I didn’t want to study English, I wanted to study art, no I don’t know what I’m going to do, but it’s more right than anything I’ve thought about studying.

Fortunately for me, my mom was (and still is) super supportive.

I graduated with a BFA in 2013 and after a year of not being sure what to do (because freelancing is hard and art-focused opportunities in my area wanted more degree than I had), I applied and got into the Masters program at Columbus College of Art & Design in Ohio, finished THAT in 2017 and am still freelancing but now with a much better idea of what I’m doing. I honestly can’t imagine having gone in any other direction at this point in my life, and I only regret not drawing for so long between 4th grade and college.

4. Deep Sea [3x3, acrylic pour]
Deep Sea (acrylic pour)
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I try to remember to sign everything, but I like a small unobtrusive signature, so I tuck a TS somewhere in just about everything.

What advice would you give young aspiring artists?

1. You are going to make some really, really, really ugly things.  Sometimes you’ll be proud of those ugly things for a while, but they’re still gonna be ugly.  And that’s a good thing: you have to make ugly to understand what it is and whether you want to use it actively.

2. Do your best to purge the pop-culture expectation of an artist from your brain.  That way lies the path of disappointment and being really freaking annoying, not to mention it takes a lot of energy to namedrop and fake ennui.

3. Don’t fear the “art block”.  It’s your friend in the long run, because it lets you know something’s not working–either your mental health needs some attention and that’s why you’re not making, or you’ve stopped actively trying to hone your skills and have gotten lazy and your brain is bored and that means you need to get out of your comfort zone for a while, or that you need to take a break from the thing you’re currently doing and go do something else; even if that “something else” has nothing to do with art–everyone needs a break regularly.

3. Glow Up 2007-2019
Glow Up 2007-2019


Where on the spectrum do you identify?

I’m a demisexual bi!

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Oh yeah–I get it two-fold for being both demi and multi-attracted.  I usually get asked if the figures and character I’m drawing are ideal sexual partners or if my conflict and discomfort with another person in my field is because deep down I just want “bang them”.

The subject question is easy to displace, I just start ranting about the lack of variation in character design and that kills almost all follow-up.  The second question I usually just shut down with a face-melting stare because sometimes it’s not a judicious moment to ask someone if they’re a friggin idiot.

5. Penguin [3x3, acrylic pour]
Penguin (acrylic pour)
What’s the most common misconception about asexuality that you’ve encountered?

That it’s something that can be “fixed” by an encounter with “the right person” and you’ll know in an instant

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

1. How you feel does have a name, and there are other people who feel the way you do.

2. You’re not alone, and that’s important.

3. You’re not broken, you’re not stupid, and you can’t just “pretend to be normal” because there’s nothing abnormal about you.

4. Most of the people you try to explain this to probably won’t get it, and they’ll say things that hurt because they mean well.  You have every right to correct them, you have every right to defend yourself; don’t feel bad when you do, because you deserve that respect, even from people who generally mean well.

Finally, where can people find out more about your work?

My portfolio
My studio Instagram
The Facebook page
Ownable, hard copies of work here, here, or here!

6. Valentine [Silicone] 9x12
Valentine (silicone)
Thank you, Tina, for participating in this interview and this project. It’s very much appreciated.

Interview: Onion

Today we’re joined by Onion. Onion is a wonderful game developer and 3D modeller. They’re a small game developer who mainly uses the small game engine Bitsy and is currently experimenting with Unity. They’re background is in animation. Their games are a mode of storytelling, allowing Onion to explore experiences and share them with the world. It’s clear they’re a dedicated and talented artist, as you’ll soon read. My thanks to them for taking the time to participate in this interview.



Please, tell us about your art.

Last year I helped make some assets for a collaboration on a game jam where I made a game with a friend and since the start of this year I began making my own games. I mostly got into making games by using Bitsy ( which is a small editor to make simple usually narrative games. We have a sizeable community on discord and plenty of awesome people who actually know code (unlike me) that make hacks and edited version of the bitsy editor for more complex games.

I mostly just experiment with trying new things in bitsy and just telling whatever stories I want. I think most of the time I just come up with a narrative I want to tell and then I figure out how I can actually do it. I like to challenge myself with the way I use hacks in bitsy. Considering bitsy itself is rather simple, it’s always fun to see how far I can go making the specific game I want to make. A lot of it is faking effects and “cutscenes” and figuring out all the things that can be done with variables when you use hacks.

I’m slowly learning other game engines too. I’ve made a unity 3D game by myself with the help of some friends since I really barely understand any code. I feel like that’s almost one of my goals- to learn to make games without specifically going out of my way to learn code. My goal is to make the narrative games. I like creating a narrative, characters and writing dialogue. Creating a sense of a relationship between the player character and the NPCs (non-player characters.) So I will use every hack and every resource I can find or buy. I don’t need to build my games from scratch, I’m not the most interested in the game mechanics.

It depends on the game but a lot of times I want to create games where people can just relax. I want people to feel cozy. Of course these aren’t the only kind of games I make since I don’t want to limit myself but it is very important to me. I’m still learning and checking my own biases but I want to make inclusive worlds. Even in a game that makes you feel unease or mystery, I never want it to come from bigotry.


What inspires you?

My friends. I think they are my biggest inspiration. Of course a lot of my ideas come from media- what I like and what I want to change. Same with trying to include many non-binary characters and different sexualities. I really like romance so that always ends up in my games in some way (or at least I ship my own characters together.) But the inspiration to continue making games, to get excited and actually strive for my goals…that’s all my friends. Practically all of them are LGBT+ especially those making games. So I think we all try to empower each other through our games. There’s a special kind of feeling that playing a good game, reading a good book, watching an amazing movie can give you and it’s even more special when it was something created by a friend. It’s very inspiring. It makes you want to create.

It’s very almost magical to find a welcoming community full of friends who all support you and enjoy what you make. It’s like having a safety net so you aren’t as worried when you experiment and aren’t sure if whatever you’re making is any good.

What got you interested in your field?  Have you always wanted to be an artist?

I always wanted to be an artist but what’s always changed is what kind of artist. I think as a kid I mostly only knew fine art so that’s sort of what I guess I wanted to be. I don’t think I really thought about it properly at that young an age. Later I realized I wanted to make comics since I really love making up stories. I’ve tried starting a few webcomics but always sort of quit after making on average three pages. At the end of high school, I thought that I wanted to be an animator. Which is kind of funny when my favourite parts are messing around in photoshop and not like…animating. But well I tried getting into a 2D animation school but my art wasn’t up to their level. So I went to college for 3D animation. I learned that I do NOT like animating…. but I do like 3D modeling. I thought until this year that I’d be fine just doing 3D modeling. Turns out 3D modeling to just make something is very annoying but 3D modeling to make games? Now that’s fun. It’s mostly very satisfying seeing all the assets you make come together and look good. Most of my games are pixel art though because bitsy graphics are pixel art. Also pixel art is well faster to make especially the small tiles in bitsy.

It’s kinda hard to just decide on one thing I want to do though. It’s really fun to just switch it up. I think I get bored very easily if I only keep doing a single thing. I want to get better at 3D modeling but also at pixel art and graphic design. There’s always a pressure to just get good at one single specialization and I dislike that. It’s not easy to fight your brain that tells you if you don’t get good at something you won’t ever find a job but it’s good to be curious and want to learn more. I actually watched some lectures about user interfaces and redesigned my website for the third time. It’s good to learn if you’re actually interested.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I guess most of the characters in my games are non-binary. I leave it open to interpretations though the general rule is all my characters are LGBT+. Most of my games use “they/them” for basically all characters. It was something I started it as a way to maybe help me explore my own gender or just to get something to ground it in reality. There aren’t that many non-binary characters in media so I wanted to create worlds with a large variety of different non-binary characters.

Also I guess since I’ve taken the name onion, I’ve made plenty of content staring onions. But it’s not something I add into everything I make. It is sort of my mascot now. It’s probably a little confusing for some people that I have a character who’s name is “onion” but who isn’t actually me. Then again, I write a lot of myself into my characters so maybe in a way it still is me.


What advice would you give young aspiring artists?

Not wanting to create every day is valid. It’s good to take breaks. Even long ones. I know a single activity doesn’t sustain me for long. I loom knit, doodle, even got into doll customization when I got very burned out from doing 3D modeling. Even currently I’m barely making any games since I stretched myself too thin and tried to do to much. You have to pace yourself and allow yourself to rest. Don’t try to do like 3 different game jams, a small zine and camp nanowrimo in a month and then continue to do like 2 game jams each month. It doesn’t matter if you make short games.. it still saps away all your energy. Learn from my mistakes.

Also you really don’t have to have everything figured out. I keep having to remind myself I’m only 22 years old. I can’t have everything figured out. There’s so much pressure from society and it makes no sense. I know I myself get trapped in such thinking but I try. I think the best thing I ever did for myself was somehow teach myself to be happy for people’s success. I still get jealous but it doesn’t make me quit. I just get inspired. Seeing someone enjoy what they do and be good at it is inspiring. So let it inspire you.



Where on the spectrum do you identify?

I’m a bi ace/aro (and also non binary 🙂

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Not in the field but sure in personal life. Mostly I surround myself with people who if not understand, but accept it. The most pushback I’ve gotten has been from my mom who didn’t believe me the one time I tried telling her while I was still in high school. And so far I haven’t tried again. I guess I haven’t really had much pushback in my life so I’m pretty open about it. I don’t know if being open about it is why no one has ever pressured me to date them or not but I guess it works out alright.

5. cordelia

What’s the most common misconception about asexuality that you’ve encountered?

I think the biggest is that we don’t want to have sex. Or that many people lump ace and aro people together. I mean it’s funny for me to say that as I am actually both ace and aro and also sex repulsed. But that doesn’t mean everyone is. I mean as sex repulsed as I am in real, sex fascinates me a lot in media- and I’m someone who can’t even look at two people kissing each other. There’s a spectrum for everything.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

As someone who always wants to have myself figured out, believe me it’s alright to just sort of leave it be. You can always change your mind or figure out something new. Your sexuality could be fluid/flexible or not. Just know that you can totally feel like you are ace & aro and still be bi or gay. I think for a long time I struggled with that. Even earlier this year. But I guess it’s just good to know that you can still say you are ace/aro while you’re on a spectrum for one or both of them. You don’t really owe anyone all the details or to prove yourself. I kinda wish I felt that before but I think the imposter feeling is always more internal.

Finally, where can people find out more about your work?

My games can be found here:
My portfolio website is:
And my 3D models are over here:
You can talk to me on Twitter at le_onionboi too!

6. witch_0023

Thank you, Onion, for participating in this interview and this project. It’s very much appreciated.

Interview: Isis E. Prosser

Today we’re joined by Isis E. Prosser. Isis is a phenomenal writer and jewelry maker who I met at Indy PopCon. I was blown away by the gorgeous jewelry she made and then she told me about the web novel she was working on entitled Lamenting City (chapters are posted on her main blog: Not only does it sound positively fascinating, but it’s an ownvoices work. The main character of the series is an ace lesbian named Axel and there are also two minor asexual characters. I highly recommend checking it out. It’s clear she’s a dedicated and passionate author, as you’ll soon read. My thanks to her for taking the time to participate in this interview.


Please, tell us about your art.

I’m a writer and a jewelry maker. When it comes to my writing, I tend to focus on humour and emotions, lots of humour and emotions. Sometimes I write purely humourous stories and sometimes I write purely emotional (whether angsty or uplifting) stories. Longer stories tend to swing between both extremes and I like to think the more I write, the better I become at blending the two together. I write a mix of fanfiction and original stuff, and I’m also not the greatest at updating either in a timely fashion (sorry!), but I am trying and getting better at that.

My jewelry is something I also do with my mom (she’s my teacher!) and currently I’m focusing on Pride jewelry and fandom jewelry (currently, Harry Potter-inspired pieces with some My Little Pony: Friendship is Magic-inspired pieces coming…. eventually). I’m very new to this craft.

In the future I’d like to make video games, too. I’ve written scenarios/concepts and dabbled a little in RPG Maker over the years, but haven’t yet finished a thing. Maybe one day soon I’ll have something to show. In the meantime it’s likely the characters of those ideas will be introduced in short stories or novels.

I’m very passionate about storytelling in general.

What inspires you?

Many, many things! From real life experiences to other fiction, and to the beauty of the natural world and that of architecture, as well as mythology (Egyptian mythology is my fave). I’ve also been inspired by vivid dreams I’ve had. And my inspirations tend to shine through in my work, whether original or fanfiction. For example, my current web novel project, Lamenting City, was initially inspired by a dream I had that came about when I was marathoning every Zoids anime with a friend. The dream introduced me to Axel and offered a tantalizing glimpse of her world, and afterwards I knew I had to write it. And often times I’ll have scenes or entire stories inspired by music I listen to.

When it comes to jewelry, I tend to find inspiration looking at gemstones or browsing jewelry supply shops. Sometimes I also get inspiration from media, hence the Harry Potter bracelets.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve wanted to be writer for as long as I can remember. I’m not entirely sure where it started, but I know it did start in some form with kid me’s obsession with Beatrix Potter’s stories and later stuff like OT Star Wars and Disney’s Gargoyles. I would also read a lot and then read some more, and the more I read, the more I wanted to write.

As time went on, I also noticed more and more that there weren’t a lot of characters like me in fiction. There weren’t a lot of diverse characters and author voices in general. So, a lot of my writing is me creating the stories and characters I wanted to see, and to give myself a voice.

With jewelry, I played around with plastic beads as a child but then the hobby faded for many years. Earlier this year I got interested in it again after looking at pride jewelry and deciding I could make the types of bracelets I wanted… and then a lightbulb turned on and I realized that, hey, if I wanted jewelry like this, other LGBTQIANP+ folks might want it, too. And then my love for fandom made me start slowly getting into making fandom jewelry as well.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Well, looking at my writing as of 2015, dream and nightmare sequences seem to be a pretty big thing. They appeared in my (currently unposted) Metroid fic that I wrote for my first NaNoWriMo (2015), appeared again in my Camp NaNoWriMo project, a Legend of Spyro fanfic (I haven’t yet posted the chapter with the first dream sequence however), and then they’ve appeared in every NaNo project since…

I find dream and nightmare sequences really fun to write. They’re a good way to explore the character’s mind without having to worry about realism or even my own canon.

In general, I like to use dreams/nightmares to introduce concepts and foreshadowing in ways that (hopefully) aren’t immediately obvious.

With my jewelry, it’s a bit hard to say since it’s all so new to me. But I like to add a touch of whimsy to everything I create!

What advice would you give young aspiring artists?

To not be discouraged, and to get your art out there. It can be very daunting, yeah, I’ve been there (and in many ways still am), but your voice is needed. Perhaps some people won’t get your story, but for the people who do, it could mean the world.

Understand that you have room to grow, but to also be you. Improve and become the best you.


Where on the spectrum do you identify?

Homoromantic/demiromantic asexual. Also sex-repulsed.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

More times than I’d like to count, especially offline. I try to clarify things for people who simply don’t know, but find it’s easier on my mental health to avoid actually prejudiced people who are unlikely to change their mind. Sometimes both of those things are easier said than done.

What’s the most common misconception about asexuality that you’ve encountered?

The most common seem to be “Asexuals are incapable of love in any form” and “Asexuals can’t have sex/be sex positive”. Trying to correct either misconception isn’t usually a fun time for me, especially the latter (where being a sex-repulsed ace with no intention of having sex gets thrown back in my face as if it’s some kind of gotcha).

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

That you’re not broken, and that you’re ace enough.  You’re loveable and amazing as you are, and there’s nothing to be ashamed of.

Finally, where can people find out more about your work?

My main home of operation is on my website/blog:

There I post short stories, chapters of Lamenting City, and blog posts where I yell about video games and music.

And while there’s not as much content as I’d like (I’m working on it!), you can find my newer fanfiction on AO3:

I will be updating my Legend of Spyro fic (well, the first one) soon and will be adding a Metroid fic and a Star Wars fic at some point this year. I like many fandoms!

And you can check out my jewelry here:

More designs coming soon!

Thank you, Isis, for participating in this interview and this project. It’s very much appreciated.

Interview: Teloka Berry

Today we’re joined by Teloka Berry. Teloka is a phenomenally talented visual artist from Australia. She’s a digital artist and specializes in comics. She also does portraits, original characters, and fanart. Aside from that, Teloka also does crafts. It’s very clear that she’s an incredibly dedicated artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.



Please, tell us about your art.

I’m a digital artist, and primarily a character illustrator and story-teller. I do stuff like portraits, comics, original characters and fan-art, and sell crafts and merch like stickers.


My very favourite things to do are comics, both short ones and long form ones! I like stories with a strong focus on acearo, queer and neuroatypical characters who are just having adventures in various genres, and my personal schtick leans heavily towards acearo girls who want to form lasting commitments and have relationships with other girls.

I have two long-haul projects. Let’s Celebrate!, my queer magical girl themed webcomic has been live for almost three years now, and features an acearo lead and a bunch of silly festive super powers. It’s very lighthearted but still explores various celebrations from around the world, mental illness and communication, and features a bunch of monsters that the girls/guys/nb-pals fight with improbable weapons like giant candy canes. You can see it here:

My second long haul project is collaborative with my girlfriend which we’re hoping to release early next year, and it will be an online graphic novel in installments. It’s a supernatural, Lovecraftian kind of adventure-thriller, structured around the Great Australian Road-Trip in rural Queensland. It follows an established acearo f/f couple, who accidentally enter an outback region they can’t leave filled with frightening “Locals” and those long roads that go on “forever”.


What inspires you?

I’m going to sound super cheesy when I say this but… my girlfriend? Haha, I’m pretty inspired by personal experiences and personal interests, I suppose. I spend a lot of time drawing and illustrating stuff based on things we’ve done together or concepts we talked about and came up with together.

Maybe also like … spite, to be honest. I’m kind of tired of heteronormative stories and the same straight white male leads who fight the Big Bad and get the girl with very little actual effort. I love to write and see stories about girls, especially queer and neurodivergent girls, doing cool stuff and saving the day and being in genres they’re generally sidelined in, like action stuff or zombies.


That aside I find music and bright cheerful colour palettes quite inspiring, and use both of them a lot in my work. And the work of other artists who I look up to, of course! I’m pretty visual so if I see something that is just aesthetically pleasing to me (like some architecture, a posing angle, fairy lights in a shop window) I’ll probably think about how to incorporate it into an art piece sooner or later.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always been really crafty and drawn or scribbled stuff, so I guess so? I got serious about artwork at about 13, when I entered high school and fell in with fellow artsy-sorts who enabled the habit. I started out like most teens on DeviantArt back then with an anthro fursona, and made more friends online that encouraged me, and so I just… persisted with it. I don’t think I ever had particular plans to be an artist, or to be anything for that matter, but it’s probably my stand out skill now. I draw every day and love my stories and characters a lot!


Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Probably like I mentioned in that first long ramble I did, I have a really strong narrative interest in queer stories, and especially a focus on acearo mentally ill girls and healthy relationships. Artistically/Stylistically though… no, haha, I have absolutely zero consistency in my work, I’m so bad at that!

Usually when I pitch it to other people they’ll say stuff like “sparkles!” or “colours!” or “same face syndrome!”, so maybe that’s the answer here? I like colours a lot and playing around with harsh lighting. I also draw a lot of birds, because… birb.


What advice would you give young aspiring artists?

1. Give it a go! If you want to do it, just do it. It’s worthwhile, even if all it ever does is bring you happiness or relaxation to create; that’s super important and you deserve it.

2. Quite difficult, but don’t compare your creation to other peoples work negatively. Be critical of your own work, sure, and always, always strive to improve. But your work is not anyone else’s but your own, so try not to be disheartened if it doesn’t look like something else you wanted it to look like. It looks like it’s yours, and that’s the best thing it could be.

3. This one is for minority groups in storytelling especially (I figure relevant here on an ace positive blog), and something I’ve struggled with a lot but: Tell that story about your own experiences/preferences if you want to tell it. Create your own representation if you can and want to.

It’s not self-centered, it’s not “too much”, it’s not unpalatable, it’s not boring, and it’s not cheesy. Don’t feel like you can only put one character from a minority group in your story, and don’t feel like you can’t have characters who you relate to or have traits like you in your story. You do not have to write in something for “someone else” to relate to or have straight white men in your story for it to be “acceptable”, regardless of what popular media seems to be trying to say.

For example, when we started on the roadtrip story I mentioned earlier, we thought “is two whole acearo girls in a story… too many? should one of them at least… be bi?” and while scripting I’ve often wondered ”is this chronically anxious character having too many anxiety attacks…? should I just have them handle this thing better so that their mental illness is showing less?”. And the answer to those things is obviously no. Show that mental illness. Have only acearo leads. Have a whole cast of POC. There’s no such thing as “too much” representation of your minority characters and stories, and if they’re based on your personal experiences or desires- great. Because nobody else can tell that for you; it’s yours.



Where on the spectrum do you identify?

I’m a cis girl (she/hers) and I identify as asexual and aromantic, though I might more accurately be quoiromantic as I don’t really understand the difference between platonic and romantic relationships, though I absolutely don’t experience attraction regardless. I previously considered myself panromantic because I “want to be emotionally intimate” with friends quite intensely and have close relationships, but I later realized that I don’t experience romantic attraction so… aromantic-spec it is.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve actually experienced very little ace prejudice. I’ve found straight people to be confused and commit some naïve-microaggressions at best, and mostly they just want me to explain what it meant and expressed general confusion about how I could not feel sexual attraction. (except for those dudes, you know, the: “well you just haven’t been with ­me yet” narcissists.)

I also had an abuser who ID’d on the ace spectrum, who would constantly guilt me about my orientation and say I would be a disappointment to my partner/s, that I was “broken”, or that I was just “trying to be holier than thou” and all kinds of toxic shit. So it really can come from anywhere.

The absolute worst ongoing prejudice I’ve seen has been from gatekeepers in the gay and lesbian communities. No surprises there. So many “sapphic safe place” blogs will reblog artwork of my girlfriend and I, which is clearly f/f and I get the lovely gift of seeing their acephobic descriptions on how ace people don’t belong in the queer community and queer is a slur, while they profit from artwork literally featuring two acearo girls.


What’s the most common misconception about asexuality that you’ve encountered?

Lately there’s plenty of stuff going around tumblr especially about how asexuality doesn’t equal celibacy, and that it’s not a choice. True, absolutely! But I still very often see asexuality conflated with sex repulsion, or a lack of libido (and aromance with a lack of interest in close intimate relationships at all).

Sure, it can be that way, but it’s not universal for all aces or aros. Just like any orientation, asexual people can sit anywhere on the libido and/or repulsed spectrums. They are not the same at all, and it’s super toxic that it has become popularly interchangeable, because I’m often seeing ace characters who “hate to be touched” and it just…

Ace people can be sex positive and interested in intimacy.

Allosexual people can be sex repulsed or simply disinterested.

And sex repulsed people of any orientation can also still be highly sensual and have a libido and still really want to have sex (that’s me!).

All these things are separate experiences. Neither drive nor repulsion are intrinsically tied to each other or to asexuality, which is the lack of sexual attraction, and not the lack of desire for touch.

I think that’s a super important distinction that’s often lost. My stories focus on this a lot, and almost all of my comics and stories feature acearo characters who still actively seek close emotional intimacy- because aro people are not unfeeling robots- and who also like to experiment or be close to their partners physically- because ace doesn’t necessarily mean no libido or interest.

And it’s super alienating to sensual or libido aces to see the narrative that “to be ace means you can’t ever want to have sex with someone else” perpetuated. It feels like something that, in years to come, is going to segue into Ace-Gatekeeping-v2.0, and I’d like to see communication and compassion stop that before it happens.


What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Auuhhh… uhmmm I’m really not an ideal person to put in like… advice giving roles. I’m still learning stuff myself; the Living Experience is pretty enormous! But perhaps the best thing I found (for me) was to have close friends who I could talk to about being ace and aro. If you have other friends who are already knowledgeable or confident in their own sexuality and ID on the acearo spec then that is probably the safest way, and they can explain things to you and answer questions.

There are also a variety of previously linked ace-help blogs and websites, and probably honestly… a lot of the artists featured on this blog would probably be happy to answer anon-questions and stuff about their experiences if you get in touch? I’d be happy to, for sure. That might be good for anyone who feels isolated or confused and doesn’t want to have a name attached to their questions!

Finally, where can people find out more about your work?

You can find my artblog, where I post most of my art and links and updates on the above mentioned projects here: I should warn that there are some suggestive works on there and it’s pretty heavy on the f/f content. There’s nothing graphic and no actual nudity, mostly just implications of intimacy and some power dynamics, but it might be a bit much for some minors or anyone intimacy-repulsed, so take it with a grain of salt.

Let’s Celebrate! is completely PG and can be found here: which has links offsite to places like Tapastic.

Thank you, Teloka, for participating in this interview and this project. It’s very much appreciated.

Interview: Leon

Today we’re joined by Leon. Leon is a wonderful writer and dabbles in crafts. They are an eclectic artist who has done a bit of everything. They have worked in theater (acting, tech, stage management, directing) and do quite a bit of writing. When they’re not writing, they also do a lot of knitting as well as coloring. It’s very clear they’re a passionate artist, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

Untitled 3


Please, tell us about your art.

I’d consider myself something of a ‘jack of many (creative) trades’. I have a short attention span, the constant need to be busy, a long-standing habit of having whimsical trains of thoughts I can hardly keep track of myself and I grew up with the internet where any number of basic skill sets are a quick Google search away. I collect funny little ideas and random hobbies and nifty bits of information that eventually I figure I will find use for (like book binding … haven’t gotten around to using that info quite yet but some day)

I’ve been a storyteller practically my whole life and a writer for most of that. My dad was a writer, so I picked that up from him. I got involved with theater during middle and high school. First acting, then various back stage and tech theater works. I lived in a small town a few years ago where I was the designated ’emergency backup’ person for the local theater company, always available for lighting, sound, props, painting, costumes, whatever they needed. I picked up knitting in my early teens, played around with that, taught myself how to knit plush animals and dolls and such. I’ve made several based on some of my favorite video game characters. I also like just experimenting and messing around with various creative projects.

I got really taken in by the adult coloring book trend, which has been exciting for me. I don’t really have much of a talent for drawing and that kind of visual art, and not enough patience to really develop it. But I love coloring. I love messing around with my colored pencils and my gel pens and figuring out how to make nifty little effects with glitter. I can work on multiple different pages from multiple different books as the mood suits me. Plus, I am so absolutely a crafter. So I get to think of fun ways to use the pretty colored in pages when I’m done. (I am in a ‘modge podge the heck out of everything’ phase right now) and then I get to figure out how to do those things and pick up a bunch of little crafting skills. It’s been tons of fun.

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Bat Box

What inspires you?

So many things. I have a real habit of latching on to little ideas or tropes and just trying to figure all the possible ways I could express them and in what medium and why. And then latching onto random ideas that come up when I think about this stuff.

Example: I got stuck on this nifty idea of inverting the ‘The Dead Have Names’ trope and giving a related speech to the villain. Because it’s such a ‘hero’ thing, giving it to the villain gets really chilling and strange. So then I think about the general idea of inverting tropes along those lines. Since I’ve been coloring a lot lately I start thinking about color inversions. And now I have two dragon pictures, one of which is a ‘water dragon’ which I’m going to coloring in various shades of red and orange and the other is a ‘fire dragon’ I’m going to be coloring in shades of blue.

With all the coloring I’ve been doing lately I tend to get inspired by the pages themselves. I know I want to color this or that page in with only metallic gel pens. And I’ve been working so much in color lately I’ll get color schemes stuck in my head even if I don’t know where I want to utilize them yet.

And in a more abstract sense… my dad taught me to look at creative ‘problems’ (in the loosest sense of the word) like riddles, to apply whatever creative skills/knowledge I did have to fill the rest in. So I tend to have a ‘make it up as I go’ approach to all my art/creative stuff. And that inspires me too, just trying to work out a ‘problem’, the constant thinking and wondering and ruminating.

What got you interested in your field?  Have you always wanted to be an artist?

I guess I always sort of wanted to be an artist, but I never really had a specific idea of what that meant. I liked writing so I figured I’d just … write stuff. Which I did. I liked theater so I did that too. I liked knitting and coloring and wood shop and cooking and so on.

I got the writing and storytelling thing from my dad. And everything else just sort of blossomed from that in a weird organic kind of way that I can’t really pin down, even looking back on it. A lot of the stuff I’ve learned to do was to facilitate a vague idea of storytelling. I got into tech theater, into lighting and sound design, so I could figure out how to make the best use of that to facilitate a stage show. I started knitting plush dolls of video game characters to be able to bring those characters and ideas into another aspect of my life, off the screen (also the reasoning for why I write fanfic). I love looking at the different ways people color the same coloring page because of how drastically different the end results of coloring the same image can be. I over analyze the crap out narrative heavy video games because I like seeing how different narrative tools can slot together and all of the ways video games making story telling weird or strange or unique.


Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

When I do visual type art (in the broadest sense) I very often end up using various pride flag colors (which makes me chuckle to myself) just because I can

I also have a serious love of inverting various tropes, just turning basic common assumptions on their head. Not so much a signature as a ‘reoccurring theme’.

What advice would you give young aspiring artists?

Anything worth doing is worth doing badly.

Not just for the experience or for the opportunity to get better either. But because it’s fun, it makes you happy, it’s something to stave off the boredom, it keeps you busy, it just something you want to do. It’s worth doing because it’s worth doing.

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Flower Lantern


Where on the spectrum do you identify?

I’m a bi/pan ace.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Yeah, typically of the general, non-malicious ignorance variety, which usually results in me just offering some basic 101-type information.


What’s the most common misconception about asexuality that you’ve encountered?

The ‘attraction = behavior’ thing. Like the assumption that celibacy and asexually are the same thing

And because the fact that I’m trans often comes up around the same time as the fact that I’m ace comes up, I also get the ‘hey do you think maybe you’re ace because you’re trans’ thing a lot personally, usually with the implication that if this is the case it means one of those IDs is therefore less valid. Which usually results in me just going flat ‘no’ because I often don’t have the time (or emotional energy) for a long nuanced discussion.

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Metallic Bookmarks

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It’s okay to not totally have your orientation strictly defined. It’s okay to take time to figure it out. It’s okay if you never figure it out completely and if whatever labels you use are basically ‘as accurate as I can be right now’. It’s okay to be as specific or as nonspecific as you want, you have no obligation to define your orientation to any arbitrary degree of specification. It’s fine if your ace-ness is/was influenced by some external factor. It’s okay if you weren’t ace before but are now. It’s okay if you stop IDing as ace later. It’s okay if you only ID as ace with no other labels.

You don’t have to justify your orientation to anyone. You don’t even have to explain any more than you want. It’s fine if you can’t explain. It’s fine if you just don’t want to.

Just… you do you.

Finally, where can people find out more about your work?

Some older tags on my blog have some of my knitting stuff.

I have an Etsy shop up that has the results of my ‘what can I do with these pretty colored in coloring book pages’ adventures.

metalic cat purple2
Metallic Cat Purple

Thank you, Leon, for participating in this interview and this project. It’s very much appreciated.

Interview: Morgan Lees

Today we’re joined by Morgan Lees. Morgan is a wonderful artist who specializes in fantasy art and illustration. They’re have an ongoing comic entitled Corner the Maze, which is delightful urban fantasy about a racing driver who winds up in a different dimension. Aside from the comic, Morgan also does a lot of freelance illustration and has done some theater (including stage combat) in the past. Their work is beautiful and the detail is extraordinary, as you’ll soon see. My thanks to them for taking the time to participate in this interview.



Please, tell us about your art.

I draw, paint, write, and do theater – some of those things more than the others. I’ve been focusing primarily on my comic of late, and I’m a freelance illustrator. My comic work is done in pen and ink, and I’ve been working with pencil on toned paper a lot lately for other art. I haven’t done much with theater aside from stage combat lately, but I’m hoping to get into it more again when I have more time (which I’ve been saying for years now, so who knows when that will be). I guess the common thread is that I like telling stories with art in one form or another.

My comic is called Corner the Maze, and it follows the adventures of a racing driver who finds himself inadvertently trapped in another dimension after falling into a strange portal during a race. It ties into the same setting as the books I’m writing, and some of the characters end up appearing in both, but I’m making sure that they both work well as standalone things, too.

What inspires you?

Mostly I have a lot of story and character ideas jostling about in my head, and I want to get those out and in some form where other people can (hopefully) enjoy them. I’m also inspired by music, nature, and rather unpredictable flashes of insight coming from seemingly random sources. So, I guess mostly it’s whatever happens to set my imagination off, which isn’t very predictable.

Roleplaying games have also been a big source of inspiration for me since I was really little. A great percentage of everything I’ve ever drawn has been one of my characters or another, either in pen and paper games or from CRPGs, and that probably had something to do with getting me thinking about characterization and storytelling so much as well.

Stylistically, again with the roleplaying games, I always really liked the black and white illustrations found in the RPG books I grew up with – first edition Advanced Dungeons and Dragons, and then Middle-earth Roleplaying/Rolemaster – and I’m sure that had some effect on my pen and ink style. Same goes for Choose Your Own Adventure type books.


What got you interested in your field?  Have you always wanted to be an artist?

I’ve been drawing since I could hold a pencil, but I didn’t get serious about it until I was eighteen or so. For some reason, both drawing and writing as career options seemed out of reach to me when I was younger, but then I decided that I was going to give it my best shot and see if I could make it work. I was actually more focused on theater (directing and lighting design especially) when I was younger, but the amount of travel that would end up being necessary for that put me off in the end – that, and what I really want to be doing more than anything is telling my own stories. That’s what led me to the comic, and what inspired me to get my writing in shape.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Not really! I sign my work with my initials and the date, but that’s about it.


What advice would you give young aspiring artists?

Don’t stop practicing. Whenever you’ve got time, as much as you can possibly stand it, practice. When I look back and see the difference between where I am with my work and where I want to be, and look at the people who are where I want to be, the single greatest difference is always that they were more dedicated earlier on. I goofed off a lot when I was a kid and a teenager – there were plenty of whole weeks where I didn’t draw at all. There are lots of different ways to learn, and there’s no one piece of advice there that will work for everyone, but practice is universal.



Where on the spectrum do you identify?

I’m aromantic and asexual. I’ve simply never had the slightest sort of romantic or sexual interest in anyone else. It took me an oddly long time to realize that’s not how most people are, and once I realized that, it “only” took me another few years to realize the rest of it.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

The worst I’ve encountered is people thinking I’m weird, but then, the place I’ve generally spent the most time with other people in my life is in the theater – and it is true that people tend to get less flak for being seen as different there than in some other places. I was also home-schooled until I went to college, so overall I’ve had a lot less opportunity to encounter prejudice than many people. I did deal with some in college, but again, pretty mild and not directed at me (I hadn’t yet quite realized that I was asexual at the time). It made me uncomfortable, but that’s about it.

What’s the most common misconception about asexuality that you’ve encountered?

I did get a lot of people telling me I would grow out of it when I was younger (although that was only when I expressed a lack of interest, since I didn’t identify as asexual yet), but nothing in that vein for the last six or seven years. Again, I’m probably lucky with my circle of acquaintances in this regard; they tend to be rather reasonable and open-minded people.

Shadow of Murder

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

There’s nothing wrong with you, and if you’re happy with yourself, that’s what matters. There’s no one recipe for happiness, so don’t let anybody tell you that there is. You don’t need to have a romantic relationship or have sex to have a great life (although of course neither of those things will stop you from it either), and being unusual isn’t worse in any way, just different.

I wish I had more useful advice, but I just went about happily assuming that nobody else actually cared about those things either until I was already in my twenties, so… yeah. I’m kind of oblivious about things sometimes, especially where people are concerned.

Finally, where can people find out more about your work?

My comic can be found at and updates every Tuesday and Thursday, my illustration portfolio is at (which is also where my writing stuff will be, when I get any of that up again), and I generally post all my art to my DeviantArt account at I try to keep those all just about as much up to date, but if anything’s going to fall behind, it’s usually DeviantArt.

Turn Away

Thank you, Morgan, for participating in this interview and this project. It’s very much appreciated.

Interview: Ted Brandt

Today we’re joined by Ted Brandt. Ted is a wonderfully talented inker who works in comics. He’s one of the artists working on Action Lab’s Princeless: Raven the Pirate Princess book, which looks absolutely incredible. He obviously has a lot of passion for his work and it shows. My thanks to him for taking the time to participate in this interview.



Please, tell us about your art.

I’m primarily an inker working in the comics industry, currently for Action Lab comics on the LGBT+ friendly comic Princeless: Raven the Pirate Princess.

As an inker my main job is to take the comics pages that are pencilled and polish them, finishing the linework. Reductively, I neaten the pages, but it’s more like a subtle reinterpretation.

What inspires you?

Depends on the day! I absolutely adore movies and music, but find inspiration in reading, cooking, eating; anything can be inspiring, or maddening, if you approach it in a certain way.

What got you interested in your field?  Have you always wanted to be an artist?

Art’s a bit like my sexuality: I was always supposed to be here but it took me a long time to figure it out. I’d been reading comics regularly since I was 14, but it wasn’t until nearly a decade later that I decided to try actually making them.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Sadly no; as comics work is sequential commercial illustration, there’s nothing recurring in the work I’ve done so far!

What advice would you give young aspiring artists?

Never confuse wanting to be an artist with wanting to be known as an artist: take pleasure and pride in the process, and let the results worry about themselves. And never be afraid of a bit of hard work; as long as you’re not sacrificing your health to achieve it.


Where on the spectrum do you identify?

I’m in the heteroromantic asexual category. I’m very happily in a long-term relationship, but don’t experience any desire for sex.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I might be lucky, but no! If, and that’s a big if, it’s ever come up, people have been pretty cool about it. It’s entirely possible my lack of experienced prejudice could be partly to do with the fact that I’m white and male; it’s still a pretty big sea of privilege to be swimming in.

What’s the most common misconception about asexuality that you’ve encountered?

Probably my own! Before I realised where my orientation is, I was obviously not interested in sex but felt like admitting that was somehow announcing that I wasn’t as cool or interesting as everyone else.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Find friends who you can talk to about it, and don’t be afraid to be honest. I lied to friends for years, pretending I was like them, and had experienced sex. I’m pretty sure they all knew I was lying, of course, but they were kind and never challenged me over it, or made me feel terrible because of it. So having people in your life who will be supportive is key.

Also, don’t be afraid to experiment and find out where on the spectrum you are. Trying something doesn’t define you at all, but the self-awareness that you will gain is priceless! I thought I was demisexual for quite some time, but with time and experience have realised that I’m full Ace.

Finally, where can people find out more about your work?

You can type my name into the digital comics website to find all my published work.

My Tumblr ( is my rolling art/blog.

I’ll have a full website soon, but it’s not quite ready yet. When it is, links will be available from my Tumblr!

Thank you, Ted, for participating in this interview and this project. It’s very much appreciated.