Interview: Phoebe

Today we’re joined by Phoebe. Phoebe is a phenomenal dancer who both dances and choreographs. She has danced regularly throughout school and with companies, but lately has mostly been dancing for herself. Phoebe has also recently taken up cooking and baking. She cooks both for baking and presentation. It’s clear she’s an incredibly passionate artist who loves what she does, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I am a dancer and choreographer, mostly just for myself these days, but in the past I have choreographed and performed with college dance clubs and teams, and companies affiliated with my dance studios before that. I’m not amazing, but I don’t think I’m terrible, either. When I’m not dancing, I love cooking and baking, both in terms of flavorful and presentational aspects.

What inspires you?

Is it cliché to say that music inspires me most of the time? I have what I affectionately call a “bad habit” of dancing to just about anything, especially if it’s something I hear often, including but not limited to TV show and podcast theme songs. If you pull up next to me at a stoplight, there is a 90% chance I’ll be choreographing to the radio. I love getting hooked in by a beat or a lyric and seeing what my body comes up with, or how I can express a feeling evoked by a song.

I am also constantly inspired by other dancers, both my friends and on YouTube, though I avoid watching any one video repeatedly when choreographing in an effort to avoid plagiarism. I am also inspired by figure skaters, especially since I took skating lessons myself for several years.

Alternatively, sometimes it helps me to start with an overarching theme and go from there. To give an example, my senior year of college my dance composition class put on a concert where the theme was The Four Seasons, and I was in charge of Autumn, so I was inspired by images of falling leaves, harvest, the idea of transition and change, folksy-sounding instrumentals, and a general Halloween-y spookiness.

What got you interested in your field?  Have you always wanted to be an artist?

My parents put me in dance classes when I was three, because I would dance all over the house. To the best of my knowledge, I started choreographing when I was around eight, and since then I’ve always loved putting a dance together and seeing it come to life onstage. For a long time I wanted to be a professional dancer, until it became clear for multiple reasons why that wasn’t going to work out.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

If it’s a solo, there’s a 90% chance I will either: a) forget my own choreography and have to make something up on the spot, or b) realize about 2/3 of the way through that I made this too hard on myself and I have reached the limit of my endurance, but must power through anyway.

On a more serious note, I think that I tend towards big, more dramatic movements in my choreography. I also like incorporating visually interesting formations in my choreography whenever possible.

What advice would you give young aspiring artists?

Keep practicing – even if you think you suck! Chances are you don’t suck nearly as much as you think you do, and you can’t improve unless you keep practicing. It also helps you stay in shape, so that when you finish a dance and want to record it, you can look your best doing it.

Also, do it for yourself, even if you’re not doing it for anybody else. Find studios and companies and communities where you feel supported and welcome, and that you genuinely love both the dances you choreograph and the ones you’re just a dancer in. Don’t try to imitate anyone else too closely, but make sure your dancing and your choreography feels true and authentic to you.

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ASEXUALITY

Where on the spectrum do you identify?

I identify as asexual. I haven’t totally figured out my romantic orientation, but demiromantic is feeling like a good place for right now.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I haven’t encountered any because I haven’t been out to many people yet, and even fewer among people I’ve danced with. I have felt personally uncomfortable performing more overtly sexual choreography, so I’ve handled this by being selective about the choreographers I work with, and if an explanation is necessary, I’ll just respectfully say that while I like their style, I just don’t think it’s for me. So far, no one I’ve danced with has been offended.

I do worry that sometimes I use movements that I might see as sensual, but others might see as more sexual. The best advice I can give here is to be comfortable with yourself and your body, do what feels right for you, and remember that whatever behavior you decide to engage in in your personal life doesn’t have to be reflected in what you decide to do onstage.

What’s the most common misconception about asexuality that you’ve encountered?

That just because I’m not sexually attracted to someone, doesn’t mean I can’t love them deeply, or that I hate sex/would treat it as a commodity or something to be “earned” in a relationship. This mostly stems from past relationships.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

I don’t know that I’m the best person to be giving advice on this, but I will say this: you know you best, and you’re the only one who can decide what labels work best for you, or if you want to have labels at all. And anyone who doesn’t respect your orientation and what you are and aren’t comfortable with isn’t worth it.

Finally, where can people find out more about your work?

I have a small YouTube channel where I occasionally post videos of my work. It’s very sporadic because I’m no longer part of a studio or a company, but I upload when I can. This is my favorite solo project I’ve done so far, this is my most popular dance that I’ve ever choreographed, although I don’t dance in it, and this is my personal favorite group dance that I am also dancing in (kind of my baby from that year).

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Thank you, Phoebe, for participating in this interview and this project. It’s very much appreciated.

Interview: Cin

Today we’re joined by Cin. Cin is a wonderful young artist who hasn’t met a medium they didn’t like. They do a lot of visual art and writing, but they’re also quite interested in music and dance. They demonstrate a wonderful passion and enthusiasm for art, as you’ll soon read. This is definitely an artist with a bright future. My thanks to them for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’ve really just been intensively drawing since about April. I’ve been doodling for a very, very long time though. I mostly draw fanart, from Steven Universe and Homestuck. I have many OCs that I continue editing and creating. I occasionally draw real people too, like this drawing of Thomas Sanders (at thatsthat24 ) I recently did.

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I write and I’ve been writing for about 3 years, and surprisingly, I’ve stuck with one story and it’s about 100 pages long by now. It’s called The Portal Guards.

I also dance, sing, and act, all three of which have been for 9+ years. I take dance classes and voice lessons too. (Tap, jazz, ballet, and lyrical, and I’m an alto/mezzo-soprano)

Finally, I play both the viola and piano. I’m a novice piano player, having started a month or so ago, and I’ve been playing viola for 4 years. I recently started writing sheet music for strings too.

What inspires you?

I guess, other artists, and my friends. If I find something interesting to myself, I research intensively then draw or write.

What got you interested in your field?  Have you always wanted to be an artist?

Hmmm… I’ve really never thought about how I started… I mean, none of my art hobbies really had a backstory. I sorta just got interested…

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I mean my signature is pretty special, but I mean there’s not very much significance behind it…

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What advice would you give young aspiring artists?

I am an aspiring young artist! But if anything, be your own critic. Let others be critics. Don’t let people’s bad critics get in your head. I guess what I mean to say is, don’t compare your work to others.

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ASEXUALITY

Where on the spectrum do you identify?

Just ace! I guess I’m sex neutral hehe

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Yeah, kinda, I mean, if you count me getting overly uncomfortable when some friends are making sex jokes and stuff ¯\_(ツ)_/¯

What’s the most common misconception about asexuality that you’ve encountered?

That an asexual has to be virgin. I mean, I am a virgin but gosh

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Accept yourself as who you are. What other people say can’t and will not change you. I completely know the utter feeling of dejection, and I just had to take it as it was and roll.

Finally, where can people find out more about your work?

http://why-nyello-i-am-trash.tumblr.com/
http://blubberfish23.deviantart.com/

Thank you, Cin, for participating in this interview and this project. It’s very much appreciated.

Interview: Sandie

Today we’re joined by Sandie. Sandie is an incredibly exciting first for Asexual Artists: she’s a professional dancer. Words cannot describe how excited I was to be contacted by a dancer (dance is one of my absolute favorite arts). Sandie has an amazing love for her art, as you’ll see from the interview. She definitely has a dancer’s soul and an incredible love for her art. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I am a professional dancer. I feel as though I come alive when I’m on the stage and using only movements and dance to portray stories and emotions. Dancing helps me express myself so much better than I ever can with words. I’ve trained for years in ballet, contemporary, jazz, tap, commercial, pilates, as well as acting, singing, and the clarsach (Scottish harp).  My main focus is jazz or contemporary dance though. I’ve done a few dance jobs since graduating last year, everything from emotional contemporary duets to ensemble and featured dancer in a pitched musical to street performing in the Edinburgh Fringe Festival. Every job I do is completely different, some last an evening, others last weeks. It takes a lot of dedication and perseverance to be a dancer; but it is all worth it when I step on stage.

What inspires you?

I’m inspired by lots of different things. I love to watch other dancers to see how the move and interpret the music, I have learn so much from watching others. When I choreograph I try to take inspiration from many sources; music, emotions, other art, stories. Although it may sound a bit self-centred but I do find I’m inspired by just how far I’ve come, and what I’ve been through to get to this point in my life.

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What got you interested in your field?  Have you always wanted to be an artist?

I’ve always wanted to dance. I went to my first ballet class when I was about 2 ½ years old because I kept walking around on my tip toes and I haven’t stopped dancing since. I started doing more and more classes and performances as I got older but it was only when I got to high school that I realised there was nothing else I would rather do, and I could actually make a career out of dancing. I had a lot of people (teachers and family member mostly) tell me that I should focus on getting a “real job”. Instead of listening to them I spent 2 years in full time training with a semiprofessional ballet company touring ‘Romeo and Juliet’ and ‘Swan Lake’ around Scotland and China. I realised I was never going to be a ballerina so I moved to London to study dance and musical theatre. I have no idea what I would be doing if I wasn’t dancing, it’s all I know and it’s what I love.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

A lot of the time dancers don’t get much (any) say in what you perform, you get told what movements to do and how to perform them. It does mean that every dance that I get to do is completely different so every job is a new experience, and also get to bring other people’s ideas to life.

However the few times I have been able to choreograph my own dances they end up either very cute and cheesy, or strangely dark. I became slightly infamous in my time at college for creating contemporary dance solos about dark and creepy ideas. My favourite solo was a dance based on the personification of Death, it was so much fun to go to complete extremes with both movement and performance (as well as getting to scare the audience). I will always have a soft spot for Charleston-esque jazz dances though!

What advice would you give young aspiring artists?

Just go for it! My parents always told me “if you do a job you love, then you’ll never work a day in your life.” I think it’s better to try your best. Even if it doesn’t work out in the end you’ll be able to look back and say that you gave it your all and have no regrets and no ‘what ifs’. Don’t let opportunities pass you by, the worst that can happen is they say no.

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ASEXUALITY

Where on the spectrum do you identify?

Panromanic Asexual

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve found not many people in the performance industry have even heard of asexuality, let alone know what it is. So most people just react by saying “that’s not a thing” and “how can you not want sex?!” It is difficult sometimes being an ace in such a hyper-sexualised field. Because so much of the dance industry does revolve around sex, it can be quite tedious. Quite a lot of them time the only direction you are given as a dancer is to “be sexy”, you are expected to wear skimpy and revealing outfits, so it’s not exactly the easiest environment for an ace. It was quite liberating once I had figured out that I was asexual, and that was the reason why I always found directions like that to be awkward and pointless. I tend to just ignore most of the sexualised comments and try to do my own thing; fake it until you make it. So far I’ve never met any other asexual dancers (or not any who were open to talk about it) but I hope I’ve been able to at least raise awareness of asexuality and show that we are all individual.

What’s the most common misconception about asexuality that you’ve encountered?

The idea that just because I don’t feel the need to sleep with a partner means that I don’t love/care for them. This response came from a close friend when I was confiding my feelings in her about the possibility of my asexuality. She made it sounds like I was being extremely selfish and it hurt because she was one of the first people I came out to. Also I’ve had a few people seem to think that I have a problem with people touching me in general, which is not the case. I had one person aggressively tell a guy that he should never touch me after he gave me a hug goodbye, which embarrassed both me and the poor guy; I have no problem with personal contact.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You are the only person who can define you. It is no one else’s business but yours. If right now, you feel like your orientation is different from a few months/years before, that’s okay. You are constantly changing and learning about yourself.

You and all your feelings are valid. You are not broken and you aren’t alone. You are you, and you are wonderful!

Finally, where can people find out more about your work?

I don’t have an official website but I do have my personal Tumblr account (I occasionally post stuff about work).

http://jealousyballet.tumblr.com/

So feel free to message me on there if you have questions or anything.

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Thank you, Sandie, for participating in this interview and this project. It’s very much appreciated.